Description

Edited, introduced and annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex.

The Wordsworth Classics' Shakespeare's Series presents a newly-edited sequence of William Shakespeare's works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal.

The Taming of the Shrew is one of the most famous and controversial of Shakespeare’s comedies. The central relationship, in which Petruchio boisterously ‘tames’ a rebellious Kate, has often appeared problematic. In the theatre, it has been treated in a diversity of ways, so that Kate’s apparent capitulation varies between the ironic and the sincere. Feminists have been divided in their responses. The provocative vitality of this comedy has been transmitted by numerous adaptations for stage and screen, notably the film directed by Franco Zeffirelli and the Cole Porter musical, Kiss Me, Kate.

The Taming of the Shrew

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Paperback / softback by William Shakespeare , Professor Cedric Watts

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Edited, introduced and annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex. The Wordsworth Classics' Shakespeare's... Read more

    Publisher: Wordsworth Editions Ltd
    Publication Date: 05/11/1993
    ISBN13: 9781853260797, 978-1853260797
    ISBN10: 1853260797

    Number of Pages: 144

    Non Fiction , ELT & Literary Studies , Education

    Description

    Edited, introduced and annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex.

    The Wordsworth Classics' Shakespeare's Series presents a newly-edited sequence of William Shakespeare's works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal.

    The Taming of the Shrew is one of the most famous and controversial of Shakespeare’s comedies. The central relationship, in which Petruchio boisterously ‘tames’ a rebellious Kate, has often appeared problematic. In the theatre, it has been treated in a diversity of ways, so that Kate’s apparent capitulation varies between the ironic and the sincere. Feminists have been divided in their responses. The provocative vitality of this comedy has been transmitted by numerous adaptations for stage and screen, notably the film directed by Franco Zeffirelli and the Cole Porter musical, Kiss Me, Kate.

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