Description

The third volume to appear in the magnum opus of A. Peter Brown takes as its topic the European symphony ca. 1800–ca. 1930 and is divided into two parts. The first part focuses on the symphonies of Germany and the Nordic countries and discusses in great detail the symphonies of Weber, Spohr, Mendelssohn, Schumann, Lindblad, Berwald, Svendsen, Gade, Nielsen, Sibelius, Berlioz, Liszt, Raff, and Strauss. Volume 3B will examine the symphonies of Great Britain, Russia, and France during the same period.

Brown's series synthesizes an enormous amount of scholarly literature in a wide range of languages. It presents current overviews of the status of research, discusses important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception.

The Symphonic Repertoire, Volume III Part A: The European Symphony from ca. 1800 to ca. 1930: Germany and the Nordic Countries

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Hardback by A. Peter Brown

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The third volume to appear in the magnum opus of A. Peter Brown takes as its topic the European symphony... Read more

    Publisher: Indiana University Press
    Publication Date: 31/10/2007
    ISBN13: 9780253348012, 978-0253348012
    ISBN10: 0253348013

    Number of Pages: 1168

    Non Fiction , Entertainment

    Description

    The third volume to appear in the magnum opus of A. Peter Brown takes as its topic the European symphony ca. 1800–ca. 1930 and is divided into two parts. The first part focuses on the symphonies of Germany and the Nordic countries and discusses in great detail the symphonies of Weber, Spohr, Mendelssohn, Schumann, Lindblad, Berwald, Svendsen, Gade, Nielsen, Sibelius, Berlioz, Liszt, Raff, and Strauss. Volume 3B will examine the symphonies of Great Britain, Russia, and France during the same period.

    Brown's series synthesizes an enormous amount of scholarly literature in a wide range of languages. It presents current overviews of the status of research, discusses important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception.

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