Description

Book Synopsis
Divided into two parts, this work focuses on the symphonies of Germany and the Nordic countries and discusses in detail the symphonies of Weber, Spohr, Mendelssohn, Schumann, Lindblad, Berwald, Svendsen, Gade, Nielsen, Sibelius, Berlioz, Liszt, Raff, and Strauss. It discusses the style of specific works and their contexts.

Trade Review

When complete, this series will be the most exhaustive study available of the symphony in the Western tradition. This release shares with its predecessors (v. 2, CH, Apr'03, 40-4510; v. 4, CH, Mar'04, 41-3953; v.3, part B, CH, Sep'08, 46-0179) a brilliance of detail. Like the earlier releases, this volume provides complete analyses of each symphony, details of first performances, and rich bibliographic resources. Moreover, Brown (who died before part B of this volume was complete) discusses formal and technical detail in a comparative way, placing each work in the context not only of its composer, but of time and place. Examining areas of compositional creativity other than Vienna (volumes 2 and 4 concern the rich Viennese tradition), Brown analyzes the works of Franz Berwald, Joachim Raff, Mikhail Glinka and other relative unknowns and also calls attention to the influence of Mendelssohn (as mentor) and Rachmaninoff (as contrapuntalist). Written with wry good humor, this scholarly volume uncovers a rich world of previously under-appreciated masterpieces. Serious students of music—whether student, performer, conductor, or avid listener—will find this latest volume in this masterful series both informative and readable. Summing Up: Essential. Upper-division undergraduates through faculty and professionals; general readers.

-- M. Neil * Choice *

This work is highly recommended for all larger public and academic libraries, and smaller libraries with specialized music collections. . . . conductors, musicologists, and others connected with symphonic music would certainly benefit from having these volumes in their libraries.

-- Robert L. Wick * American Reference Books Annual *

Written with wry good humor, this scholarly volume uncovers a rich world of previously under-appreciated masterpieces. Serious students of music—whether student, performer, conductor, or avid listener—will find this latest volume in this masterful series both informative and readable. . . . Essential.November 2008

-- M. Neil * Augustana College (IL) *

Table of Contents

List of Plates
List of Tables
Preface to the Series
Preface to Volume III
Postscript
Acknowledgments
List of Abbreviations
Orchestral Instrumentation
Identification of the Works

Volume III Part A: Germany and the Nordic Countries

Section One—The German Classic/Romantic Symphony from ca. 1800 to 1857
Chapter One—After Beethoven: Leipzig as the Epicenter of the Symphony
Chapter Two—The Symphonies of Carl Maria von Weber and Richard Wagner: Two Symphonic
Chapter Three—The Symphonies of Louis Spohr
Chapter Four—The Symphonies of Felix Mendelssohn-Bartholdy
Chapter Five—The Symphonies of Robert Schumann
Section Two—The Symphony in Northern Europe
Chapter Six—The Symphony in Nineteenth-Century Sweden
Chapter Seven—The Symphony in Norway
Chapter Eight—The Symphony in Denmark from ca. 1830 to ca. 1925
Chapter Nine—The Symphony in Finland from ca. 1850 to 1936
Section Three—The Avant-Garde/New School Symphonists
Chapter Ten—Hector Berlioz
Chapter Eleven—Franz Liszt
Chapter Twelve—Joachim Raff
Chapter Thirteen—Richard Strauss
Notes
Bibliography of Works Cited
Index
Index of Works

Volume III Part B: Great Britain, Russia, France
Section Four—The British Symphony
Chapter Fourteen—The Symphony in Great Britain: From Potter to Elgar
The Symphonic Milieu from ca. 1800 to ca. 1850
The Symphonic Milieu from ca. 1850 to 1912
Section Five—The Russian Symphony
Chapter Fifteen—The Symphony in Russia: From Glinka to Rachmaninoff
Section Six—The French Symphony
Chapter Sixteen—The French Symphony after Berlioz: From the Second Empire to the First World War
Introduction: The Symphony in Mid-Century
Between Saint-Saëns's Second and Third: The "Revival" of Instrumental Music after 1870French Symphonies after 1885: Classical and Romantic Camps
Between the Mountain Air and d'Indy's Second: The Symphony at the Turn of the Century

Notes
Bibliography of Works Cited
Index
Index of Works

The Symphonic Repertoire Volume III Part A The

    Product form

    £999.99

    Includes FREE delivery

    A Hardback by A. Peter Brown

    Out of stock

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of The Symphonic Repertoire Volume III Part A The by A. Peter Brown

      Publisher: Indiana University Press
      Publication Date: 31/10/2007
      ISBN13: 9780253348012, 978-0253348012
      ISBN10: 0253348013

      Description

      Book Synopsis
      Divided into two parts, this work focuses on the symphonies of Germany and the Nordic countries and discusses in detail the symphonies of Weber, Spohr, Mendelssohn, Schumann, Lindblad, Berwald, Svendsen, Gade, Nielsen, Sibelius, Berlioz, Liszt, Raff, and Strauss. It discusses the style of specific works and their contexts.

      Trade Review

      When complete, this series will be the most exhaustive study available of the symphony in the Western tradition. This release shares with its predecessors (v. 2, CH, Apr'03, 40-4510; v. 4, CH, Mar'04, 41-3953; v.3, part B, CH, Sep'08, 46-0179) a brilliance of detail. Like the earlier releases, this volume provides complete analyses of each symphony, details of first performances, and rich bibliographic resources. Moreover, Brown (who died before part B of this volume was complete) discusses formal and technical detail in a comparative way, placing each work in the context not only of its composer, but of time and place. Examining areas of compositional creativity other than Vienna (volumes 2 and 4 concern the rich Viennese tradition), Brown analyzes the works of Franz Berwald, Joachim Raff, Mikhail Glinka and other relative unknowns and also calls attention to the influence of Mendelssohn (as mentor) and Rachmaninoff (as contrapuntalist). Written with wry good humor, this scholarly volume uncovers a rich world of previously under-appreciated masterpieces. Serious students of music—whether student, performer, conductor, or avid listener—will find this latest volume in this masterful series both informative and readable. Summing Up: Essential. Upper-division undergraduates through faculty and professionals; general readers.

      -- M. Neil * Choice *

      This work is highly recommended for all larger public and academic libraries, and smaller libraries with specialized music collections. . . . conductors, musicologists, and others connected with symphonic music would certainly benefit from having these volumes in their libraries.

      -- Robert L. Wick * American Reference Books Annual *

      Written with wry good humor, this scholarly volume uncovers a rich world of previously under-appreciated masterpieces. Serious students of music—whether student, performer, conductor, or avid listener—will find this latest volume in this masterful series both informative and readable. . . . Essential.November 2008

      -- M. Neil * Augustana College (IL) *

      Table of Contents

      List of Plates
      List of Tables
      Preface to the Series
      Preface to Volume III
      Postscript
      Acknowledgments
      List of Abbreviations
      Orchestral Instrumentation
      Identification of the Works

      Volume III Part A: Germany and the Nordic Countries

      Section One—The German Classic/Romantic Symphony from ca. 1800 to 1857
      Chapter One—After Beethoven: Leipzig as the Epicenter of the Symphony
      Chapter Two—The Symphonies of Carl Maria von Weber and Richard Wagner: Two Symphonic
      Chapter Three—The Symphonies of Louis Spohr
      Chapter Four—The Symphonies of Felix Mendelssohn-Bartholdy
      Chapter Five—The Symphonies of Robert Schumann
      Section Two—The Symphony in Northern Europe
      Chapter Six—The Symphony in Nineteenth-Century Sweden
      Chapter Seven—The Symphony in Norway
      Chapter Eight—The Symphony in Denmark from ca. 1830 to ca. 1925
      Chapter Nine—The Symphony in Finland from ca. 1850 to 1936
      Section Three—The Avant-Garde/New School Symphonists
      Chapter Ten—Hector Berlioz
      Chapter Eleven—Franz Liszt
      Chapter Twelve—Joachim Raff
      Chapter Thirteen—Richard Strauss
      Notes
      Bibliography of Works Cited
      Index
      Index of Works

      Volume III Part B: Great Britain, Russia, France
      Section Four—The British Symphony
      Chapter Fourteen—The Symphony in Great Britain: From Potter to Elgar
      The Symphonic Milieu from ca. 1800 to ca. 1850
      The Symphonic Milieu from ca. 1850 to 1912
      Section Five—The Russian Symphony
      Chapter Fifteen—The Symphony in Russia: From Glinka to Rachmaninoff
      Section Six—The French Symphony
      Chapter Sixteen—The French Symphony after Berlioz: From the Second Empire to the First World War
      Introduction: The Symphony in Mid-Century
      Between Saint-Saëns's Second and Third: The "Revival" of Instrumental Music after 1870French Symphonies after 1885: Classical and Romantic Camps
      Between the Mountain Air and d'Indy's Second: The Symphony at the Turn of the Century

      Notes
      Bibliography of Works Cited
      Index
      Index of Works

      Recently viewed products

      © 2026 Book Curl

        • American Express
        • Apple Pay
        • Diners Club
        • Discover
        • Google Pay
        • Maestro
        • Mastercard
        • PayPal
        • Shop Pay
        • Union Pay
        • Visa

        Login

        Forgot your password?

        Don't have an account yet?
        Create account