Description

Book Synopsis
FROM THE BESTSELLING AUTHOR OF LAST ORDERS AND MOTHERING SUNDAY, reissued for the first time in Scribner

For forty years, Willy Chapman has struck a strange but steadfast bargain between the two poles of his life: his beautiful but emotionally damaged wife and the sweet shop he runs on a south London high street. Devoted to each, he has maintained a delicate, precarious balance. Now, on a hot summer’s day, he attempts to settle his final accounts and reach an understanding with a third, disruptive element in his reckoning: his angry, unforgiving daughter.

Spanning five decades and intricately exploring a doomed family triangle, Graham Swift’s first novel already shows the historical scope combined with intense intimacy that will characterise his work.

‘A marvellous first novel’ New Statesman

‘Brilliantly chronicled’ The Spectator

The Sweet Shop Owner

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    Order before 4pm tomorrow for delivery by Wed 15 Jul 2026.

    A Paperback / softback by Graham Swift

    15 in stock

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      Publisher: Simon & Schuster Ltd
      Publication Date: 11/07/2019
      ISBN13: 9781471187353, 978-1471187353
      ISBN10: 1471187357

      Description

      Book Synopsis
      FROM THE BESTSELLING AUTHOR OF LAST ORDERS AND MOTHERING SUNDAY, reissued for the first time in Scribner

      For forty years, Willy Chapman has struck a strange but steadfast bargain between the two poles of his life: his beautiful but emotionally damaged wife and the sweet shop he runs on a south London high street. Devoted to each, he has maintained a delicate, precarious balance. Now, on a hot summer’s day, he attempts to settle his final accounts and reach an understanding with a third, disruptive element in his reckoning: his angry, unforgiving daughter.

      Spanning five decades and intricately exploring a doomed family triangle, Graham Swift’s first novel already shows the historical scope combined with intense intimacy that will characterise his work.

      ‘A marvellous first novel’ New Statesman

      ‘Brilliantly chronicled’ The Spectator

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