Description

Book Synopsis
The Style of Hawthorne's Gaze is an unusual and insightful work that employs a combination of critical strategies drawn from art history, philosophy, psychoanalysis, and contemporary aesthetic and literary theory to explore Nathaniel Hawthorne's narrative technique and his unique vision of the world. Dolis studies Hawthorne's antitechnological and essentially Romantic view of the external world and examines the recurring phenomena of lighting, motion, aspectivity, fragmentation, and imagination as they relate to his descriptive techniques. Dolis sets the world of Hawthorne's work over and against the aesthetic and philosophical development of the world understood as a view, from its inception in the camera obscura and perspective in general, to its 19thcentury articulation in photography. In light of this general technology of the image, and drawing upon a wide range of contemporary critical theories, Dolis begins his study of Hawthorne at the level of description, where the world of

The Style of Hawthornes Gaze Regarding

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    A Paperback by John Dolis

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      View other formats and editions of The Style of Hawthornes Gaze Regarding by John Dolis

      Publisher: The University of Alabama Press
      Publication Date: 7/30/2014 12:00:00 AM
      ISBN13: 9780817357917, 978-0817357917
      ISBN10: 0817357912

      Description

      Book Synopsis
      The Style of Hawthorne's Gaze is an unusual and insightful work that employs a combination of critical strategies drawn from art history, philosophy, psychoanalysis, and contemporary aesthetic and literary theory to explore Nathaniel Hawthorne's narrative technique and his unique vision of the world. Dolis studies Hawthorne's antitechnological and essentially Romantic view of the external world and examines the recurring phenomena of lighting, motion, aspectivity, fragmentation, and imagination as they relate to his descriptive techniques. Dolis sets the world of Hawthorne's work over and against the aesthetic and philosophical development of the world understood as a view, from its inception in the camera obscura and perspective in general, to its 19thcentury articulation in photography. In light of this general technology of the image, and drawing upon a wide range of contemporary critical theories, Dolis begins his study of Hawthorne at the level of description, where the world of

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