Description



Trade Review
The book is intelligently organized, mindful of unfair value judgments against earlier works and simply packed full of information. * Karen Hiles, Cambridge journal Eighteenth-Century Music *
Both of them eminent scholars, Floyd and Margaret Grave bring to this undertaking not only a comprehensive knowledge of the existing literature but also an admirable ability to present their material coherently and to supplement it with their own analytical insights * Early Music *

Table of Contents
Introduction Part I: Points of Departure 1: The Repertory 2: Genre and Character 3: Texture, Ensemble, Technique, and Sonority Part II: Formal Perimeters 4: Sonata Form 5: The Dance Movement 6: Variation 7: Other Forms: Fugue, Rondo, and Miscellaneous Nonstandard Designs Part III: The Opus Groups 8: The Earliest Quartets (ca. 1755-60 [?ca. 1757-59]): Op. o; Op. 1 Nos. 1,2,3,4, and 6; Op. 2 Nos. 1,2,4, and 6 9: Op. 9 (ca.1768-70) and Op. 17 (1771) 10: Op. 20 (1772) 11: Op. 33 (1781) and Op. 42 ([?1784-] 1785) 12: Op. 50 (1787) 13: Op. 54/55 (1788)

The String Quartets of Joseph Haydn

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    A Paperback by Floyd Grave, Margaret Grave

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      View other formats and editions of The String Quartets of Joseph Haydn by Floyd Grave

      Publisher: Oxford University Press
      Publication Date: 11/20/2008 12:00:00 AM
      ISBN13: 9780195382952, 978-0195382952
      ISBN10: 0195382951

      Description



      Trade Review
      The book is intelligently organized, mindful of unfair value judgments against earlier works and simply packed full of information. * Karen Hiles, Cambridge journal Eighteenth-Century Music *
      Both of them eminent scholars, Floyd and Margaret Grave bring to this undertaking not only a comprehensive knowledge of the existing literature but also an admirable ability to present their material coherently and to supplement it with their own analytical insights * Early Music *

      Table of Contents
      Introduction Part I: Points of Departure 1: The Repertory 2: Genre and Character 3: Texture, Ensemble, Technique, and Sonority Part II: Formal Perimeters 4: Sonata Form 5: The Dance Movement 6: Variation 7: Other Forms: Fugue, Rondo, and Miscellaneous Nonstandard Designs Part III: The Opus Groups 8: The Earliest Quartets (ca. 1755-60 [?ca. 1757-59]): Op. o; Op. 1 Nos. 1,2,3,4, and 6; Op. 2 Nos. 1,2,4, and 6 9: Op. 9 (ca.1768-70) and Op. 17 (1771) 10: Op. 20 (1772) 11: Op. 33 (1781) and Op. 42 ([?1784-] 1785) 12: Op. 50 (1787) 13: Op. 54/55 (1788)

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