Description



Trade Review
The book is intelligently organized, mindful of unfair value judgments against earlier works and simply packed full of information. * Karen Hiles, Cambridge journal Eighteenth-Century Music *
Both of them eminent scholars, Floyd and Margaret Grave bring to this undertaking not only a comprehensive knowledge of the existing literature but also an admirable ability to present their material coherently and to supplement it with their own analytical insights * Early Music *

Table of Contents
Introduction Part I: Points of Departure 1: The Repertory 2: Genre and Character 3: Texture, Ensemble, Technique, and Sonority Part II: Formal Perimeters 4: Sonata Form 5: The Dance Movement 6: Variation 7: Other Forms: Fugue, Rondo, and Miscellaneous Nonstandard Designs Part III: The Opus Groups 8: The Earliest Quartets (ca. 1755-60 [?ca. 1757-59]): Op. o; Op. 1 Nos. 1,2,3,4, and 6; Op. 2 Nos. 1,2,4, and 6 9: Op. 9 (ca.1768-70) and Op. 17 (1771) 10: Op. 20 (1772) 11: Op. 33 (1781) and Op. 42 ([?1784-] 1785) 12: Op. 50 (1787) 13: Op. 54/55 (1788)

The String Quartets of Joseph Haydn

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    A Paperback by Floyd Grave, Margaret Grave

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      Book details

      Publisher Oxford University Press
      Published 11/20/2008 12:00:00 AM
      ISBN-13 9780195382952
      978-0195382952
      ISBN-10 0195382951
      Also in:
      Entertainment Art music, orchestral and formal music Musicians, singers, bands and groups

      Description



      Trade Review
      The book is intelligently organized, mindful of unfair value judgments against earlier works and simply packed full of information. * Karen Hiles, Cambridge journal Eighteenth-Century Music *
      Both of them eminent scholars, Floyd and Margaret Grave bring to this undertaking not only a comprehensive knowledge of the existing literature but also an admirable ability to present their material coherently and to supplement it with their own analytical insights * Early Music *

      Table of Contents
      Introduction Part I: Points of Departure 1: The Repertory 2: Genre and Character 3: Texture, Ensemble, Technique, and Sonority Part II: Formal Perimeters 4: Sonata Form 5: The Dance Movement 6: Variation 7: Other Forms: Fugue, Rondo, and Miscellaneous Nonstandard Designs Part III: The Opus Groups 8: The Earliest Quartets (ca. 1755-60 [?ca. 1757-59]): Op. o; Op. 1 Nos. 1,2,3,4, and 6; Op. 2 Nos. 1,2,4, and 6 9: Op. 9 (ca.1768-70) and Op. 17 (1771) 10: Op. 20 (1772) 11: Op. 33 (1781) and Op. 42 ([?1784-] 1785) 12: Op. 50 (1787) 13: Op. 54/55 (1788)

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