Description
Book SynopsisTrade Review”As other scholars read and digest the ideas expressed in these essays, they will be encouraged to reexamine works both by Beethoven and other composers in light of the concepts and methodologies presented here. This book is highly recommended reading for anyone interested in Beethoven’s quartets, or any facet of Beethoven’s music, as well as for libraries serving research and graduate programs in music history, musicology, or music theory.”—
Notes ”In these studies of Beethoven's life and music, Kinderman brings together essays that will please historians, critics, and music theorists. This impressive volume is important not only to the study of the string quartets, but to how we understand Beethoven's music in general.”—Christopher A. Reynolds, professor of music, University of California, Davis
Table of ContentsContents Introduction William Kinderman 1. Transformational Processes in Beethoven's Op. 18 Quartets William Kinderman 2. Metrical Dissonance and Metrical Revision in Beethoven's String Quartets Harald Krebs 3. Peak Experience: High Register and Structure in the "Razumovsky" Quartets, Op. 59 Malcolm Miller 4. Beethoven's "Harp" Quartet: The Sketches in Context Lewis Lockwood 5. "Haydn's Geist aus Beethovens Händen"? Fantasy and Farewell in the Quartet in E, Op. 74 Nicholas Marston 6. Aspects of the Genesis of Beethoven's String Quartet in F Minor, Op. 95 Seow-Chin Ong 7. "so träumte mir, ich reiste [. . .] nach Indien": Temporality and Mythology in Op. 127/I Birgit Lodes 8. Plenitude as Fulfillment: The Third Movement of Beethoven's String Quartet in B, Op. 130 Robert Hatten 9. The Genesis of the Countersubjects for the Grosse Fuge William Caplin 10. Opus 131 and the Uncanny Joseph Kerman 11. Beethoven's Last Quartets: Threshold to a Fourth Creative Period? William Kinderman Appendix: Chronology and Sources of the String Quartets Selected Bibliography Index
