Description

All art is propaganda,' wrote George Orwell, but not all propaganda is art.' Moving from World War I to the War on Terror' and beyond, The Story of British Propaganda Film shows how the emergence of film as a global media phenomenon reshaped practices of propaganda, while new practices of propaganda in turn reshaped the use of the moving image. It explores classic examples of cinematic propaganda such as The Battle of the Somme (1916), Listen to Britain (1942) and Animal Farm (1954) alongside little-known newsreels, telemagazines' and digital media initiatives, in the process challenging our understanding of propaganda itself, and its many diverse manifestations.

Richly illustrated with unique material from the BFI National Archive, the book shows how central propaganda is to the development of British film, and how it has filtered our understanding of modern British history, from narratives of decolonisation to the celebration of pop culture and t

The Story of British Propaganda Film

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Paperback by Scott Anthony

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All art is propaganda,' wrote George Orwell, but not all propaganda is art.' Moving from World War I to the... Read more

    Publisher: Bloomsbury Publishing PLC
    Publication Date: 10/3/2024
    ISBN13: 9781839021398, 978-1839021398
    ISBN10: 183902139X

    Non Fiction , Entertainment

    Description

    All art is propaganda,' wrote George Orwell, but not all propaganda is art.' Moving from World War I to the War on Terror' and beyond, The Story of British Propaganda Film shows how the emergence of film as a global media phenomenon reshaped practices of propaganda, while new practices of propaganda in turn reshaped the use of the moving image. It explores classic examples of cinematic propaganda such as The Battle of the Somme (1916), Listen to Britain (1942) and Animal Farm (1954) alongside little-known newsreels, telemagazines' and digital media initiatives, in the process challenging our understanding of propaganda itself, and its many diverse manifestations.

    Richly illustrated with unique material from the BFI National Archive, the book shows how central propaganda is to the development of British film, and how it has filtered our understanding of modern British history, from narratives of decolonisation to the celebration of pop culture and t

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