Description

Book Synopsis
While some people find new opportunities in the postindustrial economy, many working-class men find their social and economic well-being collapse as blue-collar jobs are outsourced and offshored to the global labor market. Faced with limited options to earn a living-wage, many of these blue-collar workers are instead changing who they are, embracing a deviant, rebellious identity expressed by the contemporary southern rock revival musicians studied in this book. Although loosely based in the traditional culture and lifestyle of the southeastern United States, contemporary southerness has little to do with region but instead is a way to rebel from the very institutions blue-collar men traditionally used as the basis of their masculine pride: family, education, employment, military service, and religion. This contemporary form of southerness reflected in their music also involves deviance, as many of these men adorn themselves with the highly controversial confederate flag, binge drink a

Trade Review
Eastman provides a very interesting and detailed account of the Southern Rock Revival. This book also impressively connects macrolevel social and economic conditions with microlevel reactions among a segment of the working class. * American Journal of Sociology *
Studying rock musicians is an ideal way to examine southern white male rebel identity. Eastman has demonstrated a sensitivity to the complexities northern scholars sometimes miss. -- Rebecca Adams, University of North Carolina at Greensboro, Co-Editor of Deadhead Social Science
Jason Eastman’s detailed ethnography is an authoritative analysis of the intricacies, distinctions, and contradictions within Southern rock music. He not only provides a nuanced portrayal of the musicians and the varied meanings of their songs but, moreover, offers new insights about what it means to be southern and to embrace rebel masculinity. Yet, as Eastman shows, these meanings have stretched far beyond the South and reach across the globe. This book is a must read for students of gender, social class, culture, and rock music. The Southern Rock Revival is an extraordinary contribution that social scientists and musicians will discuss and debate for years to come. -- Kathy Charmaz, Sonoma State University

Table of Contents
1 Introducing the Southern Rock Revival
2Musical Authenticity in Trashville, Ca$hville
3Rebel Economics and Politics
4Musicianship as an Ideal, Rebel Southern Career
5Rebelling from Marriage and Family
6Southern (Re)Belles
7Rebel Men Livin’ Off the Land
8Rebel Men’s Gambling and Drinking as Deviant Risk-Taking
9Southern Rebel Brawls
10Drugs and Protests of the Criminal Justice System
11Rebelling From Religion
12Southerness as Whiteness

The Southern Rock Revival

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    Order before 4pm today for delivery by Fri 26 Jun 2026.

    A Paperback by Jason T. Eastman

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      Publisher: Lexington Books
      Publication Date: 1/11/2020 12:02:00 AM
      ISBN13: 9781498531153, 978-1498531153
      ISBN10: 1498531156

      Description

      Book Synopsis
      While some people find new opportunities in the postindustrial economy, many working-class men find their social and economic well-being collapse as blue-collar jobs are outsourced and offshored to the global labor market. Faced with limited options to earn a living-wage, many of these blue-collar workers are instead changing who they are, embracing a deviant, rebellious identity expressed by the contemporary southern rock revival musicians studied in this book. Although loosely based in the traditional culture and lifestyle of the southeastern United States, contemporary southerness has little to do with region but instead is a way to rebel from the very institutions blue-collar men traditionally used as the basis of their masculine pride: family, education, employment, military service, and religion. This contemporary form of southerness reflected in their music also involves deviance, as many of these men adorn themselves with the highly controversial confederate flag, binge drink a

      Trade Review
      Eastman provides a very interesting and detailed account of the Southern Rock Revival. This book also impressively connects macrolevel social and economic conditions with microlevel reactions among a segment of the working class. * American Journal of Sociology *
      Studying rock musicians is an ideal way to examine southern white male rebel identity. Eastman has demonstrated a sensitivity to the complexities northern scholars sometimes miss. -- Rebecca Adams, University of North Carolina at Greensboro, Co-Editor of Deadhead Social Science
      Jason Eastman’s detailed ethnography is an authoritative analysis of the intricacies, distinctions, and contradictions within Southern rock music. He not only provides a nuanced portrayal of the musicians and the varied meanings of their songs but, moreover, offers new insights about what it means to be southern and to embrace rebel masculinity. Yet, as Eastman shows, these meanings have stretched far beyond the South and reach across the globe. This book is a must read for students of gender, social class, culture, and rock music. The Southern Rock Revival is an extraordinary contribution that social scientists and musicians will discuss and debate for years to come. -- Kathy Charmaz, Sonoma State University

      Table of Contents
      1 Introducing the Southern Rock Revival
      2Musical Authenticity in Trashville, Ca$hville
      3Rebel Economics and Politics
      4Musicianship as an Ideal, Rebel Southern Career
      5Rebelling from Marriage and Family
      6Southern (Re)Belles
      7Rebel Men Livin’ Off the Land
      8Rebel Men’s Gambling and Drinking as Deviant Risk-Taking
      9Southern Rebel Brawls
      10Drugs and Protests of the Criminal Justice System
      11Rebelling From Religion
      12Southerness as Whiteness

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