Description
Book SynopsisTrade ReviewA ground-breaking study of Southern Latinidad that brings to the fore the political, cultural, and social pressures shaping the everyday lives of immigrant musicians. Under the weight of anti-immigrant legislation and public backlash, Latinas/os of the 'Queen City' are exerting a sense of community, belonging, and cultural citizenship through music making and dance. This book is detailed in its analysis, theoretically nuanced, and richly documented based on Byrdsextensive fieldwork in this global city. It will inspire much needed scholarship on current Latina/o music and dance not only in the global South but wherever new Latina/o communities are remaking the musical landscapes of cities and towns across the United States. -- David Garcia,University of North Carolina at Chapel Hill
A timely and exciting book offering a fresh look at the growing significance of Latino/a musicians in Charlotte and their role in the making of Southern latinidad. Byrd offers insight into different musical communities in Charlotte through the experiences of Latino/a musicians and illuminates issues related to politics, community, social class, belonging, and immigration. . . . Makes a valuable contribution to anthropology, sociology, and Latino/a studies and is a must-read for anyone interested Latino expressive culture, especially in the U.S. South. -- Kimberly Eison Simmons,University of South Carolina
Samuel K. Byrd offers an insightful musical snapshot of what statistics, policy think tanks, and others rechristened twenty years ago as the & Nuevo Latino SouthSounds of Latinidad demonstrates how the demographic shifts in southern states are heard as an intercultural fusion of Latino music, signaling a southern form of Latinidad. Byrd brings Charlotte and Las Carolinas to our attention as an exciting immigrant gateway to listen to. * Journal of Popular Music Studies *
Table of Contentsv Contents Preface vii Acknowledgments xi Introduction 1 1. Charlotte, a Globalizing City 17 2. The Latin Music Scene in Charlotte 41 3. Bands Making Musical Communities 59 4. "Thursday Is Bakalao's Day!" Bands at Work and Play 85 5. The "Collective Circle": Music and Ambivalent Politics in Charlotte 107 6. Shifting Urban Genres 141 7. Race and the Expanding Borderlands Condition 165 8. The Festival: Marketing Latinidad 189 9. Musicians' Ethics and Aesthetics 217 Conclusion 237 Notes 255 Bibliography 265 Index 281 About the Author 287
