Description
Book SynopsisAn unorthodox musician from the start, singer-songwriter Joni Mitchell''s style of composing, performing, and of playing (and tuning) the guitar is unique. In the framework of sexual difference and the gendered discourses of rock this immediately begs the questions: are Mitchell''s songs specifically feminine and, if so, to what extent and why?
Anne Karppinen addresses this question focusing on the kind of music and lyrics Mitchell writes, the representation of men and women in her lyrics, how her style changes and evolves over time, and how cultural context affects her writing. Linked to this are the concepts of subjectivity and authorship: when a singer-songwriter sings a song in the first person, about whom are they actually singing? Mitchell offers a fascinating study, for the songs she writes and sings are intricately woven from the strands of her own life.
Using methods from critical discourse analysis, this book examines recorded performances of songs from Mitche
Table of Contents
Introduction
Part 1
1. Sexual Difference, Texts and Discourses
2. Will you take me as I am? Subjectivity, Autobiography and Authorship
3. Women in Rock and Other Oxymorons
Part 2
4. The Early Period (1968-1970)
5. The Self-Conscious Period (1971-1974)
6. The Socially Conscious Period (1975-1977)
Part 3
7. A Soprano Has No Credibility? Joni Mitchell and the Rock Press
8. The Singer-Songwriter and the Making of the Canon
Conclusion
Appendix: Tunings.
Bibliography
Index
