Description

Book Synopsis
Since the birth of modernity, Western thought has been at war with clichés. The association of philosophical and cultural integrity with originality, and the corresponding need for invention and novelty, has been a distinct concern of a whole spectrum of ideas and movements, from Nietzsche’s polemics against the ‘herd’, the ‘shock of the new’ of the artistic avant-garde, the Frankfurt School’s critique of mass culture, to Orwell’s defence of political dialogue from ‘dying metaphors’.

This book is the first examination of the cliché as a philosophical concept. Challenging the idea that clichés are lazy or spurious opposites to genuine thinking, it instead locates them as a dynamic and contestable boundary between ‘thought’ and ‘non-thought’. The book unpacks the constituent phenomena of clichés – repetition, circulation, the readymade, same-ness – through readings of ‘anti-philosophical’ thinkers such as Nietzsche, Kierkegaard, Paulhan, de Certeau, Derrida, Sloterdijk, Badiou and Groys. In doing so, the book critically articulates the techniques and technologies through which the boundary between ‘thought’ and ‘non-thought’ is formed in modern Western philosophy.

Rejecting the idea that clichés should be dismissed out of hand on normative frameworks of ‘good’ and ‘bad’ thinking, or ‘new’ and ‘old’ ideas, it instead interrogates the material, cultural and archival ground on which these frameworks are built.

Table of Contents

Prologue

CHAPTER ONE: THE MEANING OF CLICHÉS

CHAPTER TWO: DEAD SPACES: ARENDT, ORWELL AND THE MORBIDITY OF POLITICAL CLICHÉS

CHAPTER THREE: CYNICAL MODERNITY FROM NIETZSCHE TO SLOTERDIJK

CHAPTER FOUR: SAYING IT WITH FLOWERS: JEAN PAULHAN’S INAPPROPRIATE METAPHORS

CHAPTER FIVE: THE SHOCK OF THE SAME: BORIS GROYS AND THE METANOIA OF THE CLICHÉ

CHAPTER SIX: ON THE PROBLEM OF SAYING SOMETHING NEW: KIERKEGAARD’S ARCHETYPES, MCLUHAN’S CLICHÉS

CHAPTER SEVEN: STOCK IMAGES OF MADNESS: RHETORIC AND CLICHÉ IN VIDEO GAMES

CHAPTER EIGHT: “THIS WILL ALL MAKE SENSE WHEN I AM OLDER”: REBOOTING CLICHÉS

CHAPTER NINE: GATEKEEPING THE “NOISE”: EXPERTISE, OPEN-MINDEDNESS AND PUBLIC DEBATE

Bibliography

The Shock of the Same: An Anti-Philosophy of

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    A Hardback by Tom Grimwood

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      Publisher: Rowman & Littlefield International
      Publication Date: 01/06/2021
      ISBN13: 9781786614001, 978-1786614001
      ISBN10: 1786614006

      Description

      Book Synopsis
      Since the birth of modernity, Western thought has been at war with clichés. The association of philosophical and cultural integrity with originality, and the corresponding need for invention and novelty, has been a distinct concern of a whole spectrum of ideas and movements, from Nietzsche’s polemics against the ‘herd’, the ‘shock of the new’ of the artistic avant-garde, the Frankfurt School’s critique of mass culture, to Orwell’s defence of political dialogue from ‘dying metaphors’.

      This book is the first examination of the cliché as a philosophical concept. Challenging the idea that clichés are lazy or spurious opposites to genuine thinking, it instead locates them as a dynamic and contestable boundary between ‘thought’ and ‘non-thought’. The book unpacks the constituent phenomena of clichés – repetition, circulation, the readymade, same-ness – through readings of ‘anti-philosophical’ thinkers such as Nietzsche, Kierkegaard, Paulhan, de Certeau, Derrida, Sloterdijk, Badiou and Groys. In doing so, the book critically articulates the techniques and technologies through which the boundary between ‘thought’ and ‘non-thought’ is formed in modern Western philosophy.

      Rejecting the idea that clichés should be dismissed out of hand on normative frameworks of ‘good’ and ‘bad’ thinking, or ‘new’ and ‘old’ ideas, it instead interrogates the material, cultural and archival ground on which these frameworks are built.

      Table of Contents

      Prologue

      CHAPTER ONE: THE MEANING OF CLICHÉS

      CHAPTER TWO: DEAD SPACES: ARENDT, ORWELL AND THE MORBIDITY OF POLITICAL CLICHÉS

      CHAPTER THREE: CYNICAL MODERNITY FROM NIETZSCHE TO SLOTERDIJK

      CHAPTER FOUR: SAYING IT WITH FLOWERS: JEAN PAULHAN’S INAPPROPRIATE METAPHORS

      CHAPTER FIVE: THE SHOCK OF THE SAME: BORIS GROYS AND THE METANOIA OF THE CLICHÉ

      CHAPTER SIX: ON THE PROBLEM OF SAYING SOMETHING NEW: KIERKEGAARD’S ARCHETYPES, MCLUHAN’S CLICHÉS

      CHAPTER SEVEN: STOCK IMAGES OF MADNESS: RHETORIC AND CLICHÉ IN VIDEO GAMES

      CHAPTER EIGHT: “THIS WILL ALL MAKE SENSE WHEN I AM OLDER”: REBOOTING CLICHÉS

      CHAPTER NINE: GATEKEEPING THE “NOISE”: EXPERTISE, OPEN-MINDEDNESS AND PUBLIC DEBATE

      Bibliography

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