Description

Book Synopsis

The Seduction of Pessimism in the Novel: Eros, Futility, and the Quarrel with Philosophy explores the novel as a response to the Platonic myth that narrates the rift at the core of our being. Eros is supposedly the consolation for this rift, but the history of the novel documents its expression as one of frustrated desires, neuroses, anxieties, and cosmic doom. As if repeating the trauma from that original split in Platoa split that also divides philosophy from literaturethe novel treats eros as a site of loss and grief, from the medieval romances to Goethe, Emily Brontë, Proust, Mann, Woolf, D.H. Lawrence, and Nabokov. The pessimism that emerges from this eros, tells us something fundamental about who we are, something that only the novel can say. At a time when both education and leisure are increasingly ignoring the novel's imperative to sit with ambiguity, complexity, and contingency, and as we are hurtling toward a bleak future of climate catastrophe and political instability, the novel is one of the last bastions of humanity even as it is quickly being eroded.

The Seduction of Pessimism in the Novel

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    A Hardback by Tom Ribitzky

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      Publisher: Lexington Books
      Publication Date: Publication Date: 1/18/2024
      ISBN13: 9781666901399, 978-1666901399
      ISBN10: 1666901393
      Also in:
      Literature: history and criticism

      Description

      Book Synopsis

      The Seduction of Pessimism in the Novel: Eros, Futility, and the Quarrel with Philosophy explores the novel as a response to the Platonic myth that narrates the rift at the core of our being. Eros is supposedly the consolation for this rift, but the history of the novel documents its expression as one of frustrated desires, neuroses, anxieties, and cosmic doom. As if repeating the trauma from that original split in Platoa split that also divides philosophy from literaturethe novel treats eros as a site of loss and grief, from the medieval romances to Goethe, Emily Brontë, Proust, Mann, Woolf, D.H. Lawrence, and Nabokov. The pessimism that emerges from this eros, tells us something fundamental about who we are, something that only the novel can say. At a time when both education and leisure are increasingly ignoring the novel's imperative to sit with ambiguity, complexity, and contingency, and as we are hurtling toward a bleak future of climate catastrophe and political instability, the novel is one of the last bastions of humanity even as it is quickly being eroded.

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