Description

Book Synopsis

Hubert Clements is a black cellist on tour with a symphony orchestra. Their guest soloist is injured and the conductor asks Clements to stand in. After wrestling with an extremely dif?cult passage in the performance piece, Bach's Six Suites for Solo Cello, Clements ?nally resorts to improvising his way through the score, which earns him a stinging rebuke from the conductor, who disdainfully calls him Satchmo'.

Humiliated, Clements returns to his hotel room, where try as he might he cannot master the piece. Unwittingly invoking the ghost of Louis Armstrong, the highly mythologized spirit of the father of jazz himself, Satchmo' challenges Clements' prejudiced view of him as an amateur and an Uncle Tom. Gradually, the lives of the characters intertwine and begin to play off each other as issues of class, hope, courage, family and race emerge in a lively and powerful struggle between what we remember, and how we remember it. In the end, of course, the drama resolves with C

The Satchmo Suite

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    RRP £12.99 – you save £0.65 (5%)

    Order before 4pm tomorrow for delivery by Fri 19 Jun 2026.

    A Paperback / softback by Hans Böggild, Doug Innis

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      View other formats and editions of The Satchmo Suite by Hans Böggild

      Publisher: Talonbooks
      Publication Date: 11/11/2010
      ISBN13: 9780889226487, 978-0889226487
      ISBN10: 0889226482

      Description

      Book Synopsis

      Hubert Clements is a black cellist on tour with a symphony orchestra. Their guest soloist is injured and the conductor asks Clements to stand in. After wrestling with an extremely dif?cult passage in the performance piece, Bach's Six Suites for Solo Cello, Clements ?nally resorts to improvising his way through the score, which earns him a stinging rebuke from the conductor, who disdainfully calls him Satchmo'.

      Humiliated, Clements returns to his hotel room, where try as he might he cannot master the piece. Unwittingly invoking the ghost of Louis Armstrong, the highly mythologized spirit of the father of jazz himself, Satchmo' challenges Clements' prejudiced view of him as an amateur and an Uncle Tom. Gradually, the lives of the characters intertwine and begin to play off each other as issues of class, hope, courage, family and race emerge in a lively and powerful struggle between what we remember, and how we remember it. In the end, of course, the drama resolves with C

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