Description

Book Synopsis

The Routledge Pantomime Reader is the first anthology to document this entertainment genreone of the most distinctive and ubiquitous in nineteenth-century Britain.

Across ten different shows, readers witness pantomime's development from a highly improvisational venue for clowning, dance, and musical parody to a complex amalgamation of physical and topical comedy, stage wizardry, scenic spectacle, satire, and magical mayhem. Combining well-known tales such as Cinderella, Aladdin, and Jack and the Beanstalk with the lesser-known plotlines of Peter Wilkins and The Prince of Happy Land, the book demonstrates not only how popular narratives were adapted to the current moment, but also how this blend of high and low entertainment addressed a whole range of social and cultural anxieties. Along with carefully annotated scripts, readers will find detailed introductions to all of the collected pantomimes and supplementary materials such as reviews, reminiscences, and a host of

Trade Review

"Providing more than a century of pantomime texts as incontrovertible evidence, Professors Schacker and O’Quinn offer a wonderfully fresh approach to the study of English pantomime, demonstrating the genre’s mutability over time whilst focusing precise scholarly attention on performance and on the changing cultural circumstances in which pantomimes were conceived, performed, and enjoyed." - David Mayer, Emeritus Professor of Drama at the University of Manchester, UK



Table of Contents

General Introduction; Chapter 1: Three Sadler’s Wells Entertainments (1800); Chapter 2: Cinderella; or, The Little Glass Slipper (1804); Chapter 3: Harlequin and Mother Goose, or, The Golden Egg (1806); Chapter 4: Aladdin; or, The Wonderful Lamp (1813); Chapter 5: Puss in Boots; An Original Comical, Magical, Mew-sical Fairy Burletta, in One Act (1837); Chapter 6: The Prince of Happy Land; or, The Fawn in the Forest (1851); Chapter 7: Ali Baba and the Forty Thieves; or, Harlequin and the Genii of the Arabian Nights (1866); Chapter 8: Robinson Crusoe, or Friday and the Fairies (1868); Chapter 9: Bluebeard; The Old Story Re-Told (1879); Chapter 10: Jack and the Beanstalk (1899); Recommended Readings

The Routledge Pantomime Reader

    Product form

    A Hardback by Jennifer Schacker, Daniel O'Quinn

    £215.00

    Includes FREE delivery

    Order before 4pm today for delivery by Tue 1 Dec 2026.

    15 in stock

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of The Routledge Pantomime Reader by Jennifer Schacker

      Book details

      Publisher Taylor & Francis
      Published 31 August 2021
      ISBN-13 9780367444372
      978-0367444372
      ISBN-10 0367444372

      Description

      Book Synopsis

      The Routledge Pantomime Reader is the first anthology to document this entertainment genreone of the most distinctive and ubiquitous in nineteenth-century Britain.

      Across ten different shows, readers witness pantomime's development from a highly improvisational venue for clowning, dance, and musical parody to a complex amalgamation of physical and topical comedy, stage wizardry, scenic spectacle, satire, and magical mayhem. Combining well-known tales such as Cinderella, Aladdin, and Jack and the Beanstalk with the lesser-known plotlines of Peter Wilkins and The Prince of Happy Land, the book demonstrates not only how popular narratives were adapted to the current moment, but also how this blend of high and low entertainment addressed a whole range of social and cultural anxieties. Along with carefully annotated scripts, readers will find detailed introductions to all of the collected pantomimes and supplementary materials such as reviews, reminiscences, and a host of

      Trade Review

      "Providing more than a century of pantomime texts as incontrovertible evidence, Professors Schacker and O’Quinn offer a wonderfully fresh approach to the study of English pantomime, demonstrating the genre’s mutability over time whilst focusing precise scholarly attention on performance and on the changing cultural circumstances in which pantomimes were conceived, performed, and enjoyed." - David Mayer, Emeritus Professor of Drama at the University of Manchester, UK



      Table of Contents

      General Introduction; Chapter 1: Three Sadler’s Wells Entertainments (1800); Chapter 2: Cinderella; or, The Little Glass Slipper (1804); Chapter 3: Harlequin and Mother Goose, or, The Golden Egg (1806); Chapter 4: Aladdin; or, The Wonderful Lamp (1813); Chapter 5: Puss in Boots; An Original Comical, Magical, Mew-sical Fairy Burletta, in One Act (1837); Chapter 6: The Prince of Happy Land; or, The Fawn in the Forest (1851); Chapter 7: Ali Baba and the Forty Thieves; or, Harlequin and the Genii of the Arabian Nights (1866); Chapter 8: Robinson Crusoe, or Friday and the Fairies (1868); Chapter 9: Bluebeard; The Old Story Re-Told (1879); Chapter 10: Jack and the Beanstalk (1899); Recommended Readings

      Recently viewed products

      © 2026 Book Curl

        • American Express
        • Apple Pay
        • Diners Club
        • Discover
        • Google Pay
        • Maestro
        • Mastercard
        • PayPal
        • Shop Pay
        • Union Pay
        • Visa

        Login

        Forgot your password?

        Don't have an account yet?
        Create account