Description

The Routledge Companion to Performance Philosophy is a volume of especially commissioned critical essays, conversations, collaborative, creative and performative writing mapping the key contexts, debates, methods, discourses and practices in this developing field.

Firstly, the collection offers new insights on the fundamental question of how thinking happens: where, when, how and by whom philosophy is performed. Secondly, it provides a plurality of new accounts of performance and performativity â as the production of ideas, bodies and knowledges â in the arts and beyond. Comprising texts written by international artists, philosophers and scholars from multiple disciplines, the essays engage with questions of how performance thinks and how thought is performed in a wide range of philosophies and performances, from the ancient to the contemporary. Concepts and practices from diverse geographical regions and cultural traditions are analysed to draw conclusions about how

The Routledge Companion to Performance Philosophy

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    £42.99

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    Order before 4pm today for delivery by Tue 30 Jun 2026.

    A Paperback by Laura Cull Ó Maoilearca, Alice Lagaay

    15 in stock

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      Publisher: Taylor & Francis
      Publication Date: 8/29/2022 12:00:00 AM
      ISBN13: 9781032399973, 978-1032399973
      ISBN10: 103239997X
      Also in:
      Performance art The arts: general topics Philosophy

      Description

      The Routledge Companion to Performance Philosophy is a volume of especially commissioned critical essays, conversations, collaborative, creative and performative writing mapping the key contexts, debates, methods, discourses and practices in this developing field.

      Firstly, the collection offers new insights on the fundamental question of how thinking happens: where, when, how and by whom philosophy is performed. Secondly, it provides a plurality of new accounts of performance and performativity â as the production of ideas, bodies and knowledges â in the arts and beyond. Comprising texts written by international artists, philosophers and scholars from multiple disciplines, the essays engage with questions of how performance thinks and how thought is performed in a wide range of philosophies and performances, from the ancient to the contemporary. Concepts and practices from diverse geographical regions and cultural traditions are analysed to draw conclusions about how

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