Description

Book Synopsis


Trade Review

"[A] highly creative endeavour in the cultural history of science and aesthetics which provides a compelling account of the inspiration which various early practitioners of the modernist movement drew from the physiological laboratories of the nineteenth century. For historians working at the intersection between science and art it is essential reading, whilst historians of science, technology and medicine more medicine more generally can draw inspiration from this approach just as artists in the late nineteenth century looked outside the conventional boundaries of their practice to inform new directions of experimentation in the studio."

-- James F. Stark * The British Journal for the History of Science *

"The Pulse of Modernism is richly informed by scholarship in art history, history of science, and social studies of science. Its synthesis of wide-ranging philosophical and scientific matters makes for intensive reading, yet readers are generously rewarded with exquisite descriptions of laboratory techniques, scientific discoveries, and works of art."

-- Jill Morawski * Journal of Modern History *

Table of Contents

Acknowledgments

Introduction
Part 1: Experimentalizing Life
1. Representation on the Line
2. The Vibratory Organism
3. Visible Speech

Part 2: Experimentalizing Art
4. Algorithms of Pleasure
5. Liberating Verse
6. Sensory Fusion
7. Art for Life’s Sake
Conclusion

Notes
Bibliography
Index

The Pulse of Modernism

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    Order before 4pm tomorrow for delivery by Fri 26 Jun 2026.

    A Paperback by Robert Michael Brain

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      Publisher: University of Washington Press
      Publication Date: 10/1/2016 12:00:00 AM
      ISBN13: 9780295993218, 978-0295993218
      ISBN10: 0295993219

      Description

      Book Synopsis


      Trade Review

      "[A] highly creative endeavour in the cultural history of science and aesthetics which provides a compelling account of the inspiration which various early practitioners of the modernist movement drew from the physiological laboratories of the nineteenth century. For historians working at the intersection between science and art it is essential reading, whilst historians of science, technology and medicine more medicine more generally can draw inspiration from this approach just as artists in the late nineteenth century looked outside the conventional boundaries of their practice to inform new directions of experimentation in the studio."

      -- James F. Stark * The British Journal for the History of Science *

      "The Pulse of Modernism is richly informed by scholarship in art history, history of science, and social studies of science. Its synthesis of wide-ranging philosophical and scientific matters makes for intensive reading, yet readers are generously rewarded with exquisite descriptions of laboratory techniques, scientific discoveries, and works of art."

      -- Jill Morawski * Journal of Modern History *

      Table of Contents

      Acknowledgments

      Introduction
      Part 1: Experimentalizing Life
      1. Representation on the Line
      2. The Vibratory Organism
      3. Visible Speech

      Part 2: Experimentalizing Art
      4. Algorithms of Pleasure
      5. Liberating Verse
      6. Sensory Fusion
      7. Art for Life’s Sake
      Conclusion

      Notes
      Bibliography
      Index

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