Description

Book Synopsis

Of all the cultural revolutions brought about by the development of printing technology during the sixteenth century, perhaps the most remarkable but least understood is the purported rise of European vernacular languages. It is generally accepted that the invention of printing constitutes an event in the history of language that has profoundly shaped modernity, and yet the exact nature of this transformation—the mechanics of the event—has remained curiously unexamined.
In The Prosthetic Tongue, Katie Chenoweth explores the relationship between printing and the vernacular as it took shape in sixteenth-century France and charts the technological reinvention of French across a range of domains, from typography, orthography, and grammar to politics, pedagogy, and poetics. Under François I, the king known in his own time as the Father of Letters, both printing and vernacular language emerged as major cultural and political forces. Beginning in 1529,

Trade Review
"Much has been written about the role of print technologies in the early history of national languages in Europe. Benedict Anderson’s line of thinking about nation states as imaginary communities, both delimited and created by the rise of local vernacular languages made into preservable idioms by print, however, is probably the one that continues to generate the most engaging scholarship across the disciplines. Katie Chenoweth’s book is one example of such authoritative contributions. The Prosthetic Tongue is a beautifully written and engaging text." * Language In Society *
"Smart and persuasive, The Prosthetic Tongue presents an authoritative contribution to our understanding of the relationship between the printing revolution and the emergence of national languages in the Renaissance. Its detailed and theoretically informed analysis deserves to be closely read, and its arguments engaged with seriously, by historians and literary scholars who deal with print and linguistics in this period." * Adrian Johns, University of Chicago *
"Katie Chenoweth tells an ambitious and extremely compelling story of the birth of the modern French language from a wholly new perspective, namely by emphasizing print technology's role in the creation of a so-called mother tongue." * Phillip John Usher, New York University *

Table of Contents

Prologue. Originary Prints
Chapter 1. The Artificial Tongue: Beginnings
Chapter 2. Hand of Brass: From Manuscript to Print
Chapter 3. Teleprinting: Geoffroy Tory and the Gallic Hercules
Chapter 4. Phonography: Accents, Orthography, Typography
Chapter 5. Grammatization: Pedagogies of the Mother Tongue
Chapter 6. Prosthetic Sovereignty: François I and the Ear of the People
Chapter 7. Survival: Du Bellay and the Life of Language
Epilogue
Appendix. Technical Treatises on the French Language, 1500‒1600
Notes
Index
Acknowledgments

The Prosthetic Tongue

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    A Hardback by Katie Chenoweth

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      Publisher: University of Pennsylvania Press
      Publication Date: 01/11/2019
      ISBN13: 9780812251494, 978-0812251494
      ISBN10: 0812251490

      Description

      Book Synopsis

      Of all the cultural revolutions brought about by the development of printing technology during the sixteenth century, perhaps the most remarkable but least understood is the purported rise of European vernacular languages. It is generally accepted that the invention of printing constitutes an event in the history of language that has profoundly shaped modernity, and yet the exact nature of this transformation—the mechanics of the event—has remained curiously unexamined.
      In The Prosthetic Tongue, Katie Chenoweth explores the relationship between printing and the vernacular as it took shape in sixteenth-century France and charts the technological reinvention of French across a range of domains, from typography, orthography, and grammar to politics, pedagogy, and poetics. Under François I, the king known in his own time as the Father of Letters, both printing and vernacular language emerged as major cultural and political forces. Beginning in 1529,

      Trade Review
      "Much has been written about the role of print technologies in the early history of national languages in Europe. Benedict Anderson’s line of thinking about nation states as imaginary communities, both delimited and created by the rise of local vernacular languages made into preservable idioms by print, however, is probably the one that continues to generate the most engaging scholarship across the disciplines. Katie Chenoweth’s book is one example of such authoritative contributions. The Prosthetic Tongue is a beautifully written and engaging text." * Language In Society *
      "Smart and persuasive, The Prosthetic Tongue presents an authoritative contribution to our understanding of the relationship between the printing revolution and the emergence of national languages in the Renaissance. Its detailed and theoretically informed analysis deserves to be closely read, and its arguments engaged with seriously, by historians and literary scholars who deal with print and linguistics in this period." * Adrian Johns, University of Chicago *
      "Katie Chenoweth tells an ambitious and extremely compelling story of the birth of the modern French language from a wholly new perspective, namely by emphasizing print technology's role in the creation of a so-called mother tongue." * Phillip John Usher, New York University *

      Table of Contents

      Prologue. Originary Prints
      Chapter 1. The Artificial Tongue: Beginnings
      Chapter 2. Hand of Brass: From Manuscript to Print
      Chapter 3. Teleprinting: Geoffroy Tory and the Gallic Hercules
      Chapter 4. Phonography: Accents, Orthography, Typography
      Chapter 5. Grammatization: Pedagogies of the Mother Tongue
      Chapter 6. Prosthetic Sovereignty: François I and the Ear of the People
      Chapter 7. Survival: Du Bellay and the Life of Language
      Epilogue
      Appendix. Technical Treatises on the French Language, 1500‒1600
      Notes
      Index
      Acknowledgments

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