Description

A major account of Renaissance portraiture by one of the twentieth century’s most eminent art historians

In this book, John Pope-Hennessy provides an unprecedented look at two centuries of experiment in portraiture during the Renaissance. Pope-Hennessy shows how the Renaissance cult of individuality brought with it a demand that the features of the individual be perpetuated, a concept first manifested in the portraits that fill the great Florentine fresco cycles and led, later in the fifteenth century, to the creation of the independent portrait by such artists as Sandro Botticelli, Antonio del Pollaiuolo, Giovanni Bellini, and Antonello da Messina. Pope-Hennessy goes on to describe the process by which Titian and the great artists of the High Renaissance transformed the portrait from a record of appearance into an analysis of character.

The Portrait in the Renaissance

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Paperback / softback by John Wyndham Pope-Hennessy

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A major account of Renaissance portraiture by one of the twentieth century’s most eminent art historiansIn this book, John Pope-Hennessy... Read more

    Publisher: Princeton University Press
    Publication Date: 15/08/2023
    ISBN13: 9780691252124, 978-0691252124
    ISBN10: 0691252122

    Number of Pages: 384

    Non Fiction , Art & Photography

    Description

    A major account of Renaissance portraiture by one of the twentieth century’s most eminent art historians

    In this book, John Pope-Hennessy provides an unprecedented look at two centuries of experiment in portraiture during the Renaissance. Pope-Hennessy shows how the Renaissance cult of individuality brought with it a demand that the features of the individual be perpetuated, a concept first manifested in the portraits that fill the great Florentine fresco cycles and led, later in the fifteenth century, to the creation of the independent portrait by such artists as Sandro Botticelli, Antonio del Pollaiuolo, Giovanni Bellini, and Antonello da Messina. Pope-Hennessy goes on to describe the process by which Titian and the great artists of the High Renaissance transformed the portrait from a record of appearance into an analysis of character.

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