Description

The Poetics of Wrongness is a collection of essay/talks that the poet Rachel Zucker, expanded from lectures presented for the Bagley Wright Lecture Series in 2016.

Devastating in their revelations, yet hopeful in their endurance, these are lectures of protest and reckoning. Zucker declares “I write against. My poetics is a poetics of opposition and provocation that I never outgrew. Against the status quo or the powers that be, writing out of and into wrongness.” Thus, Zucker deftly dismantles the outdated paradigms of motherhood, aesthetics, feminism, poetics, and politics. Bringing Bernadette Mayer, Marina Abramovic, Alice Notley, Adrienne Rich, Audre Lorde—among many others—into the conversation, Zucker questions the categories that have been imposed on poetry, as well as a poet’s need to speak, and the resulting responsibilities. Prescient in their original observations, these expanded talks seek to respond to and engage the many political events since their presentation, remaining timelessly persistent in their galvanizing force.

The Poetics of Wrongness

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The Poetics of Wrongness is a collection of essay/talks that the poet Rachel Zucker, expanded from lectures presented for the... Read more

    Publisher: Wave Books
    Publication Date: 23/03/2023
    ISBN13: 9781950268702, 978-1950268702
    ISBN10: 1950268705

    Number of Pages: 256

    Non Fiction , ELT & Literary Studies

    Description

    The Poetics of Wrongness is a collection of essay/talks that the poet Rachel Zucker, expanded from lectures presented for the Bagley Wright Lecture Series in 2016.

    Devastating in their revelations, yet hopeful in their endurance, these are lectures of protest and reckoning. Zucker declares “I write against. My poetics is a poetics of opposition and provocation that I never outgrew. Against the status quo or the powers that be, writing out of and into wrongness.” Thus, Zucker deftly dismantles the outdated paradigms of motherhood, aesthetics, feminism, poetics, and politics. Bringing Bernadette Mayer, Marina Abramovic, Alice Notley, Adrienne Rich, Audre Lorde—among many others—into the conversation, Zucker questions the categories that have been imposed on poetry, as well as a poet’s need to speak, and the resulting responsibilities. Prescient in their original observations, these expanded talks seek to respond to and engage the many political events since their presentation, remaining timelessly persistent in their galvanizing force.

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