Description
Book SynopsisSeventy years after the end of the Second World War we still do not fully appreciate the intensity of the lived experience of people and communities involved in resistance movements and subjected to German occupation. Yet the enduring conjunction between individuals, things and place cannot be understated: from plaques on the wall to the beloved yellowing relics of private museums, materiality is paramount to any understanding of conflict experience and its poetics. This book reasserts the role of the senses, the imagination and emotion in the Italian war experience and its remembrance practices by tracing a cultural geography of the everyday material worlds of the conflict, and by digging deep into the multifaceted interweaving of place, person and conflict dynamics. Loneliness, displacement and paranoia were all emotional states shared by resistance activists and their civilian supporters. But what about the Fascists? And the Germans? In a civil war and occupation where shifting a
Table of Contents
Introduction: a poetics of civil war and resistance
Baldini dies in the end: journey through a world at war
Armchair strategists vs. affective archives
The materialities of absence
The interview process
1 8 September 1943, ‘end of days’: Italy’s capitulation and its dystopian aftermath
1.1 My family history as a story of the resistance
1.2 The genesis of civil war and German occupation
1.3 Materiality and memory
1.4 The poetics of storytelling: interviewing, imagining, mapping
2 Unsettling identities
1944
2.1 Identities and the uneasy materiality of conflict
2.2 Materialities and the uncanny
2.3 The partisan experience
2.4 Understanding the Fascists
2.5 Who were the Germans, and what did they want?
Germans . . . or Austrians?
German self-reflections
2.6 Why weren’t the Allies more helpful?
2.7 Spies: the ultimate uncanny element
3 The lost bodies of the Italian resistance and civil war
3.1 Bodies in the snow
3.2 The body of the fighter
Sex
Bodily hygiene
3.3 The female body
3.4 The Jewish body in the resistance
3.5 Other bodies
3.6 Saved or dead: the body’s tale
3.7 Reconnaissance in no man’s memory: the grim legend of Buss de la Lum
4 The haunting materiality of storytelling
4.1 Storying affects: wartime rumour as inter-corporeal practise
4.2 The ontogenetic nature of storytelling: the snowball effect
4.3 Action! The historical workings of affect
4.4 Story one: constructing an American OSS agent as the Other
4.5 Story two: the Golden Column of Menarè
4.6 Story three: expected and unexpected emotions
4.7 Conclusion
5 Competing materialities: presence and absence in the material world of the war
5.1 The material turn in the social sciences: things ‘matter’
5.2 The materiality of the interview
5.3 Wartime tangibilities: on emotional absence-presence
5.4 Frontline materialities: evocative objects and booby traps
The eagle and the death cult: Fascists and their materiality
Frontline objects
5.5 Absence as an affect: the shadow-play of memory
5.5.1 A paper cenotaph: Bruno’s memento
5.5.2 The night is a thing: the poetics of sleep and sleep deprivation
5.5.3 ‘I shouldn’t have asked them for it’. Wilma’s guilty prize
5.6 Reflections
6 Landscapes of fighting, feeling and hoping: place as material culture
6.1 Hostile landscapes and the vernacular of terror
6.2 The making of places: opportunity and consolation
6.3 The unmaking of places
Home, falling apart
The unlikely comfort of the uplands
6.4 Searching for invisibility: stealth and secrecy in everyday materialities
6.5 The marginality of bodies, the liminality of the river
6.6 Going back
7 The conclusion of a journey through regions of silence
By way of foreword
7.1 Compassionate scholarship: using affect and postmemory towards a recognition of the uncanniness of civil war
An intermission: Levi, the partisan
7.2 Making place for a future
7.3 Engaging with the poetics of conflict experience
7.3.1 The poetics of violence
7.3.2 The poetics of exclusion
7.4 A past we can know
7.5 Engaging humanely with the materialities of others
Appendix
Bibliography
Index
