Description
Book SynopsisCurated from the first four volumes of Peter Lang's Playing Shakespeare's Characters series, this omnibus edition selects the most practical essays for actors and directors wanting to play and produce Shakespeare's plays. The dozen contributors in this volume explore ways to play Shakespeare's lovers, villains, monarch, madmen, rebels, and tyrants. It gives critical guidance for directors and producers wanting to stage Shakespeare in the age of Black Lives Matter and #MeToo. The book is a valuable companion for students, actors, directors, and designers who want insight into playing Shakespeare today.
Table of ContentsContributors – Introduction: The Play’s the Thing! – Olivia Buntaine: The Story of Cressida’s Body: The Rebellion of Survivorship in Troilus and Cressida (and Our Responsibility in Storytelling) (Rebels) – Brian Lohmann: Smiling, Damned Villains: The Pleasure of Not Caring (Villains) – Janna Segal: Re-"Claiming from the Female": Shakespeare’s Henry V (Monarchs) – Baron Kelly: Othello: In the Age of Black Lives Matter and DACA (Lovers) – Armin Shimerman: "He that plays the King shall be welcome" (Villains) – Timothy Harris: Through Hamlet’s Eyes (Monarchs) – Charles Duff: "In Boy, go first. You houseless povertie … ": Social Justice and Transformation in King Lear (Rebels) – Jessie Lee Mills: My Poor Fool: Dramatic Implications for Single, Double, and Dual Casting Cordelia and the Fool in King Lear (Monarchs) – Elaine Turner: Measure for Measure (Monarchs) – Susan Gayle Todd: Caliban in Love (Lovers) – Edit Villarreal: Behind Closed Doors: Sex, Lies and Servants (Villains) – Louis Fantasia: "Very fine people …" (Villains).
