Description
Book SynopsisThis book discusses the historical and musical development of the diatonic harp in Paraguay, an analysis of the musical contributions by harp composers and performers, a survey of the various traditional genres associated with the instrument, and a discussion of the popular and academic settings where the instrument has been cultivated.
Trade ReviewAlfredo Colman’s book is written with great clarity, sprinkled with many technical notes in beautiful Guaraní, the language of Paraguay’s native people. His in-situ knowledge and personal experience are essential because, in Latin America, information about music for the ‘lower income masses,’ with the exception of ceremonial religious music, has always been rather scarce. . . .Tracing the use of the harp in Paraguay among the Guaraní people, in the Jesuit reductions, and into the contemporary moment of official recognition, Colman’s exposition is well supported by relevant evidence throughout, and this highly recommended book makes a strong case that the harp is deservedly one of Paraguay’s national emblems. * Journal of Folklore Research *
In the world of Latin American traditional music, the Paraguayan harp is a giant. For the past half century, its international prominence has far outstripped its homeland’s relatively small population of seven million. It has been adopted by musicians in virtually every country of the mainland Americas, and an authoritative account of its history and ascendancy is decades overdue. Paraguayan musicologist Alfredo Colman is the ideal teller of this story, a story filled with close encounters with pivotal personalities, origin myths unmasked, and the powerful potential of a musical instrument to represent a people. -- Daniel Sheehy, Curator and Director, Smithsonian Folkways Recordings
Table of ContentsPreface Chapter One: A Personal Note Chapter Two: A Musical Instrument, A Symbol of Identity Chapter Three: The Setting Chapter Four: Harps, Harpists, and Luthiers Chapter Five: The Music of the Paraguayan Harp Chapter Six: Traditional Music in the Discourses Surrounding Cultural Performances Conclusion Appendix Bibliography Selected Discography Websites
