Description

Book Synopsis
This book provides the most comprehensive survey of contemporary Palestinian art to date. The development of contemporary practice, theory and criticism is understood as integral to the concomitant construction of Palestinian national identities. In particular the book explores the intricate relationship between art and nationalism in which the idea of origin plays an important and problematic role. The book deconstructs the existing narratives of the history of Palestinian art, which search for its origins in the 19th century, and argues that Palestinian contemporary art demonstrates pluralistic, politically and philosophically complex attitudes towards identity and nation that confound familiar narratives of origin and belonging. The book builds upon theories of art, nationalism and post-colonialism particularly in relation to the themes of fragmentation and dispersal. It takes the Arabic word for Diaspora Shatat (literally broken apart) as a central concern in contemporary understanding of Palestinian culture and develops it, along with Edward Said’s paradoxical formula of a ‘coherence of dispersal’ as the organising concept of the book. This aspect of contemporary Palestinian art is peculiarly suited to the conditions produced by the globalisation of art and we show how Palestinian artists, despite not having a state, have developed an international profile.

Trade Review
Reviews'A masterful performance of fairness and objectivity, combined with a passion for the subject that will make it the most important point of departure for all future writing on this subject.'
Critical Inquiry
'The book is an excellent survey of contemporary Palestinian art, bringing together a wide range of artists and mediums along with descriptions of these art works and their interpretation within the context of Palestinian culture and history.'
Kiven Strohm, Journal of Palestine Studies

Table of Contents
  • List of Illustrations
  • Preface
  • Acknowledgements
  • 1. Introduction
  • The Problem of the Beginning
  • 2. The Problem of the Origin
  • The Empty Centre
  • The Wall
  • 3. Origin and Disaster
  • Chaos and the Open Mouth
  • 4. Jerusalem as the Navel and the Blind Spot
  • The City as Hierophany
  • The City as Wiki
  • 5. Inside the Line: Palestinians in Israel
  • 6. Al-Shataat: A Coherence of Dispersion
  • The Shadow of the Map
  • The Cracked Earth
  • Contingency, Tactics and Strategic Essentialism
  • The Artist as Semblant
  • 7. Trailers and Openings
  • Bibliography
  • Index

The Origins of Palestinian Art

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    £109.50

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    Order before 4pm today for delivery by Thu 9 Jul 2026.

    A Hardback by Bashir Makhoul, Gordon Hon

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      Publisher: Liverpool University Press
      Publication Date: 13/11/2013
      ISBN13: 9781846319525, 978-1846319525
      ISBN10: 1846319528
      Also in:
      History of art

      Description

      Book Synopsis
      This book provides the most comprehensive survey of contemporary Palestinian art to date. The development of contemporary practice, theory and criticism is understood as integral to the concomitant construction of Palestinian national identities. In particular the book explores the intricate relationship between art and nationalism in which the idea of origin plays an important and problematic role. The book deconstructs the existing narratives of the history of Palestinian art, which search for its origins in the 19th century, and argues that Palestinian contemporary art demonstrates pluralistic, politically and philosophically complex attitudes towards identity and nation that confound familiar narratives of origin and belonging. The book builds upon theories of art, nationalism and post-colonialism particularly in relation to the themes of fragmentation and dispersal. It takes the Arabic word for Diaspora Shatat (literally broken apart) as a central concern in contemporary understanding of Palestinian culture and develops it, along with Edward Said’s paradoxical formula of a ‘coherence of dispersal’ as the organising concept of the book. This aspect of contemporary Palestinian art is peculiarly suited to the conditions produced by the globalisation of art and we show how Palestinian artists, despite not having a state, have developed an international profile.

      Trade Review
      Reviews'A masterful performance of fairness and objectivity, combined with a passion for the subject that will make it the most important point of departure for all future writing on this subject.'
      Critical Inquiry
      'The book is an excellent survey of contemporary Palestinian art, bringing together a wide range of artists and mediums along with descriptions of these art works and their interpretation within the context of Palestinian culture and history.'
      Kiven Strohm, Journal of Palestine Studies

      Table of Contents
      • List of Illustrations
      • Preface
      • Acknowledgements
      • 1. Introduction
      • The Problem of the Beginning
      • 2. The Problem of the Origin
      • The Empty Centre
      • The Wall
      • 3. Origin and Disaster
      • Chaos and the Open Mouth
      • 4. Jerusalem as the Navel and the Blind Spot
      • The City as Hierophany
      • The City as Wiki
      • 5. Inside the Line: Palestinians in Israel
      • 6. Al-Shataat: A Coherence of Dispersion
      • The Shadow of the Map
      • The Cracked Earth
      • Contingency, Tactics and Strategic Essentialism
      • The Artist as Semblant
      • 7. Trailers and Openings
      • Bibliography
      • Index

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