Description

Book Synopsis

Winner of the Terence Rattigan Society Award for a New Play for the Theatre

Based on a true story, The Onion at the End is set in the early 1930s and takes place over the course of a pantomime season in Birkenhead and a summer variety season in Southport, Lancashire.

Jimmy, a song-and-dance man and Bob, a comedian, have little in common except a shared dressing room. With work scarce, when opportunity knocks they decide there’s nothing for it but to team up as a comedy double act – First & Last.

The twist to the duo’s rise up the comedy ladder is set in motion by the Liverpudlian owner of the theatre in which they are performing. Unhappy with the comics’ act, he gives them an extraordinary take-it-or-leave-it proposal. They must speak in rhyme when offstage – until such time as he is satisfied with their progress. With work at a premium and dole queues everywhere, what choice do they have? And as if all this is not difficult enough for Jimmy and Bob, they have to contend with their theatrical landlady – in rhyme.

The Onion at the End

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    Order before 4pm tomorrow for delivery by Fri 19 Jun 2026.

    A Paperback / softback by Roy Kendall

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      View other formats and editions of The Onion at the End by Roy Kendall

      Publisher: Salamander Street Limited
      Publication Date: 02/07/2020
      ISBN13: 9781913630461, 978-1913630461
      ISBN10: 1913630463

      Description

      Book Synopsis

      Winner of the Terence Rattigan Society Award for a New Play for the Theatre

      Based on a true story, The Onion at the End is set in the early 1930s and takes place over the course of a pantomime season in Birkenhead and a summer variety season in Southport, Lancashire.

      Jimmy, a song-and-dance man and Bob, a comedian, have little in common except a shared dressing room. With work scarce, when opportunity knocks they decide there’s nothing for it but to team up as a comedy double act – First & Last.

      The twist to the duo’s rise up the comedy ladder is set in motion by the Liverpudlian owner of the theatre in which they are performing. Unhappy with the comics’ act, he gives them an extraordinary take-it-or-leave-it proposal. They must speak in rhyme when offstage – until such time as he is satisfied with their progress. With work at a premium and dole queues everywhere, what choice do they have? And as if all this is not difficult enough for Jimmy and Bob, they have to contend with their theatrical landlady – in rhyme.

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