Description

A history of modern Jewish literature that explores our enduring attachment to the book as an object

With the rise of digital media, the “death of the book” has been widely discussed. But the physical object of the book persists. Here, through the lens of materiality and objects, Barbara E. Mann tells a history of modern Jewish literature, from novels and poetry to graphic novels and artists’ books. Bringing contemporary work on secularism and design in conversation with literary history, she offers a new and distinctive frame for understanding how literary genres emerge.

The long twentieth century, a period of tremendous physical upheaval and geographic movement, witnessed the production of a multilingual canon of writing by Jewish authors. Literature’s objecthood is felt not only in the physical qualities of books—bindings, covers, typography, illustrations—but also through the ways in which materiality itself became a practical foundation for literary expression.

The Object of Jewish Literature: A Material History

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Hardback by Barbara E. Mann

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A history of modern Jewish literature that explores our enduring attachment to the book as an object With the rise... Read more

    Publisher: Yale University Press
    Publication Date: 13/09/2022
    ISBN13: 9780300234114, 978-0300234114
    ISBN10: 0300234112

    Number of Pages: 280

    Non Fiction , ELT & Literary Studies , Education

    Description

    A history of modern Jewish literature that explores our enduring attachment to the book as an object

    With the rise of digital media, the “death of the book” has been widely discussed. But the physical object of the book persists. Here, through the lens of materiality and objects, Barbara E. Mann tells a history of modern Jewish literature, from novels and poetry to graphic novels and artists’ books. Bringing contemporary work on secularism and design in conversation with literary history, she offers a new and distinctive frame for understanding how literary genres emerge.

    The long twentieth century, a period of tremendous physical upheaval and geographic movement, witnessed the production of a multilingual canon of writing by Jewish authors. Literature’s objecthood is felt not only in the physical qualities of books—bindings, covers, typography, illustrations—but also through the ways in which materiality itself became a practical foundation for literary expression.

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