Description
Book Synopsis2017 The Association for the Studies of the Present Book Prize
Finalist Mention, 2017 Lora Romero First Book Award Presented by the American Studies Association
Winner of the 2012 CLAGS Fellowship Award for Best First Book Project in LGBT Studies
How fantasy meets reality as popular culture evolves and ignites postwar gender, sexual, and race revolutions.
In 1964, noted literary critic Leslie Fiedler described American youth as new mutants, social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and freaks soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the wor
Trade Review
A powerhouse one-of-a-kind book! By charting the radical transformations of the comic book superhero in the post-war period, Fawaz brings to light the extraordinary secret history of American Otherness. Truly fantastic. -- Junot Díaz, Pulitzer Prize winning author of The Brief Wondrous Life of Oscar Wao
Fawaztakes readers into the wondrous world of American comic books, where we encounter an array of outcasts: the mutant, the cyborg, the alien, and the superhuman. This band of visionaries,Fawaz persuasively shows, pushed back against the constraints of postwar liberal citizenship, conjured new, emancipatory forms of social belonging, and called into question the meaning of the human being. A model of interdisciplinary scholarship,The New Mutantsis a must-read, not only for comic book fans, but for anyone interested in understanding how popular culture fueled the gender, sexual, and race revolutions of the late twentieth century. -- Natasha Zaretsky,author of No Direction Home: The American Family and the Fear of National Decline, 1968-1980
I have never encountered anyone--not Art Spiegelman, R. Crumb, Douglas Wolk, Stephen Burt, or even Michael Chabon--who has addressed himself to superheroes withRamziFawaz's generosity of spirit and unsatisfiable critical fervor. In this book, one is caught up in the way in which we and the likes of Superman, the Fantastic Four, the X-Men, and the Silver Surfer share a common terrain of both history and imagination. All sorts of people will bring a long-nurtured, even fetishized familiarity toFawaz's pages, and it won't survive--the most familiar stories are, here, radically, thrillingly new. -- Greil Marcus,author of Mystery Train: Images of America in Rock 'n' Roll Music
Much thats previously been crackling and exciting in the burgeoning field of comics studies has investigated the innovations of comic book form, or engaged with narratives of autobiography and realism that most closely mimic the prestigious kinds of storytelling recognized in literary novels. Now comes the sharp, smart, theoretically savvy exploration of the bombastic content of superhero comics, which Ramzi Fawazs exuberant tour de force reveals that we trivialize to the detriment of our understanding of sexuality and race in postwar America, and of the ways we use fantasy to make and re-make the meanings of both. Among hypertrophic giants and mutations that grant world-conquering powers, Fawaz finds world-making that embraces universal difference as the basis for affiliative politics and puts the cosmic back into cosmopolitanand queerness galore. -- Darieck Scott,author of Extravagant Abjection
Ramzi Fawaz's marvelous new book,The New Mutants, digs deep into the long history of superheroes and unearths a radical political tradition that has mostly goneunnoticed until now. . . .an eye-opening read, and Fawaz offers a way of reading superhero comics that is rooted both in scholarship and in the rich history of superhero narratives. Its clear that Fawaz is both a scholar and a fan, a dynamic that results in a book that should be appreciated by academics and true believers alike. * Popmatters *
Fawaz takes a hard look at the politics behind superhero comics in this...satisfying debut. [A]n enjoyable and perceptive study. * Publishers Weekly *
Fawaz draws on close readings and sharp analysis. * Pacific Standard *
The New Mutantis not only one of the smartest critiques Ive ever read, its one of the most brilliant academic engagements with pop culture, period. * Patheos *
The New Mutantsprovides considerable substance to the argument that comic books are indicative and powerful literary publications which assist their readers in coping with their marginalization in a society which often pretends to include everyone or to portray the world as a happy, global family. * Journal of American Culture *
[A] well-documented study of the political and cultural evolution of American comic books, from the first appearance of Superman in Action Comics in 1938 to the present day. A strong piece of interdisciplinary research..well-argued, clearly written. * Library Journal *
Mov[es] fluently between an overarching look at postwar comics to more specific analysis of how mainstream comics offers a place for subversive world building. * American Literature *
