Description
Book SynopsisIn The Names of God, as in his previous study, Toward a Grammar of Biblical Poetics (OUP, 1992), Herbert Brichto continues to argue against the atomistic readings of the Hebrew Bible by the currently dominant schools of Biblical scholarship. He maintains, that despite the repetitions and self contradictions found in the Five Books of Moses, the Pentateuch possesses an aesthetic and ideological wholeness. Its harmonious blend of stories and structures inform one another as they give shape and meaning to the relationship and expectations between a benevolent God and recalcitrant humankind. In particular, Bichto focuses his poetic reading on the Book of Genesis. He uses the methods of contemporary literary criticism to examine one of the greatest inconsistencies within Genesis, the alternating use of Yahweh (the Lord) and Elohim (God) as names for the Deity. Often cited as the proof of multiple authorship, Brichto shows, instead, that this inconsistency serves as a device for a single au
Trade Review"Like Brichto's other writings, this work is masterfully written with language that is unusually rich and daring."--Robert J. Ratner, Congregation Beth Ha Tephila
