Description

Book Synopsis
The Monk is the most sensational of Gothic novels. The main plot concerns Ambrosio, an abbot of irreproachable holiness, who is seduced by a woman (or perhaps a demon) disguised as a novice, and who goes on to sell his soul to the Devil. An extravagant blend of sex, death, politics, Satanism, and poetry, the work greatly appealed to the Marquis de Sade.

The Broadview edition includes a critical introduction and appendices of historical materials that address the novel's literary sources (in English, German, and Greek literature), historical contexts (the French Revolution, slavery and abolition debates, sexuality), critical reception, and influence.

Trade Review
This is an essential edition. Its ample coverage of critical reception, cultural responses and historical context does full justice to the profound intertextuality of The Monk." - Angela Wright, University of Sheffield

"This is a superb edition of a still stunning novel. It's hard to imagine how the informative, witty introduction could be bettered, and the very helpful appendices will send readers in all the right directions." - Ian Balfour, York University, Toronto

Table of Contents

Acknowledgements
Introduction
Matthew Gregory Lewis: A Brief Chronology
A Note on the Text

The Monk

  • Vol.1
    Vol.2
    Vol.3

Appendix A: Literary Sources

  1. Richard Steele, The Guardian, 31 August 1713
  2. Samuel Richardson, Clarissa, 1747-48
    1. Lovelace’s Dream
    2. Clarissa’s Dream
  3. Johann Karl August Musäus, “The Elopement”
  4. Christian Friedrich Daniel Schubart, “The Eternal Tew”
  5. Matthew Gregory Lewis, “Imitation of Anacreon”

Appendix B: Historical Contexts

  1. The French Revolution
    1. Edmund Burke, Reflections on the Revolution in France, 1790
    2. Matthew Gregory Lewis, “France and England in 1793”
    3. Thomas Paine, The Age of Reason, 1794-95
  2. Colonialism and Slavery
    1. Matthew Gregory Lewis, The Castle Spectre, 1797
    2. Matthew Gregory Lewis, Journal of a West India Proprietor,1815-18
  3. Georgian Homophobia
    1. The Trying and Pilloring of the Vere Street Club, 1810

Appendix C: Critical Reception

  1. [Mary Wollstonecraft?], Analytical Review, October 1796
  2. European Magazine, February 1797
  3. [Samuel Taylor Coleridge], Critical Review, February1797
  4. “An Apology for the Monk,” Monthly Mirror, April 1797
  5. Matthew Gregory Lewis, letter to his father, 23 February 1798
  6. Matthew Gregory Lewis, Preface to Adelmorn, the Outlaw,1801
  7. Le Décade philosophique, 9 May 1797
  8. Spectateur du nord, April-June 1798
  9. Marquis de Sade, “Reflections on the Novel,” 1800
  10. Ann Radcliffe, “On the Supernatural in Poetry,” 1826

Appendix D: Cultural Responses

  1. Charles Farley, Raymond and Agnes, 1797
  2. “The Bleeding Nun,” 1801
  3. Almagro & Claude; or Monastic Murder, 1810

Appendix E: Variants

Works Cited and Recommended Reading

The Monk

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    A Paperback / softback by Matthew Gregory Lewis, D.L. Macdonald, Kathleen Scherf

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      Publisher: Broadview Press Ltd
      Publication Date: Publication Date: 30/11/2003
      ISBN13: 9781551112275, 978-1551112275
      ISBN10: 1551112272
      Also in:
      Classics

      Description

      Book Synopsis
      The Monk is the most sensational of Gothic novels. The main plot concerns Ambrosio, an abbot of irreproachable holiness, who is seduced by a woman (or perhaps a demon) disguised as a novice, and who goes on to sell his soul to the Devil. An extravagant blend of sex, death, politics, Satanism, and poetry, the work greatly appealed to the Marquis de Sade.

      The Broadview edition includes a critical introduction and appendices of historical materials that address the novel's literary sources (in English, German, and Greek literature), historical contexts (the French Revolution, slavery and abolition debates, sexuality), critical reception, and influence.

      Trade Review
      This is an essential edition. Its ample coverage of critical reception, cultural responses and historical context does full justice to the profound intertextuality of The Monk." - Angela Wright, University of Sheffield

      "This is a superb edition of a still stunning novel. It's hard to imagine how the informative, witty introduction could be bettered, and the very helpful appendices will send readers in all the right directions." - Ian Balfour, York University, Toronto

      Table of Contents

      Acknowledgements
      Introduction
      Matthew Gregory Lewis: A Brief Chronology
      A Note on the Text

      The Monk

      • Vol.1
        Vol.2
        Vol.3

      Appendix A: Literary Sources

      1. Richard Steele, The Guardian, 31 August 1713
      2. Samuel Richardson, Clarissa, 1747-48
        1. Lovelace’s Dream
        2. Clarissa’s Dream
      3. Johann Karl August Musäus, “The Elopement”
      4. Christian Friedrich Daniel Schubart, “The Eternal Tew”
      5. Matthew Gregory Lewis, “Imitation of Anacreon”

      Appendix B: Historical Contexts

      1. The French Revolution
        1. Edmund Burke, Reflections on the Revolution in France, 1790
        2. Matthew Gregory Lewis, “France and England in 1793”
        3. Thomas Paine, The Age of Reason, 1794-95
      2. Colonialism and Slavery
        1. Matthew Gregory Lewis, The Castle Spectre, 1797
        2. Matthew Gregory Lewis, Journal of a West India Proprietor,1815-18
      3. Georgian Homophobia
        1. The Trying and Pilloring of the Vere Street Club, 1810

      Appendix C: Critical Reception

      1. [Mary Wollstonecraft?], Analytical Review, October 1796
      2. European Magazine, February 1797
      3. [Samuel Taylor Coleridge], Critical Review, February1797
      4. “An Apology for the Monk,” Monthly Mirror, April 1797
      5. Matthew Gregory Lewis, letter to his father, 23 February 1798
      6. Matthew Gregory Lewis, Preface to Adelmorn, the Outlaw,1801
      7. Le Décade philosophique, 9 May 1797
      8. Spectateur du nord, April-June 1798
      9. Marquis de Sade, “Reflections on the Novel,” 1800
      10. Ann Radcliffe, “On the Supernatural in Poetry,” 1826

      Appendix D: Cultural Responses

      1. Charles Farley, Raymond and Agnes, 1797
      2. “The Bleeding Nun,” 1801
      3. Almagro & Claude; or Monastic Murder, 1810

      Appendix E: Variants

      Works Cited and Recommended Reading

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