Description

Book Synopsis
In Cote d'Ivoire, appearing modern is so important for success that many young men deplete their already meager resources to project an illusion of wealth. The author argues that they engage a global hierarchy that is profoundly modern, one that values performance over authenticity - highlighting the counterfeit nature of modernity itself.

Trade Review
"The Modernity Bluff takes its place comfortably with the best writing on African youth, cities, and popular culture - Cole, De Boeck, Mbembe, Nyamanjoh, Simone, Weiss, White - and gives an utterly original angle for understanding the cultural underpinnings of the current conflict in Cote d'Ivoire. Sasha Newell knows both the contemporary and classic Africanist literatures. He also brings to bear a considerable amount of specialist theory to explain the ways the performance of 'bluff,' seemingly a king of consumerist simulacrum, can actually create something out of nothing." (Mike McGovern, Yale University)"

The Modernity Bluff Crime Consumption and

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A Hardback by Sasha Newell

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    View other formats and editions of The Modernity Bluff Crime Consumption and by Sasha Newell

    Publisher: The University of Chicago Press
    Publication Date: 28/06/2012
    ISBN13: 9780226575193, 978-0226575193
    ISBN10: 0226575195

    Description

    Book Synopsis
    In Cote d'Ivoire, appearing modern is so important for success that many young men deplete their already meager resources to project an illusion of wealth. The author argues that they engage a global hierarchy that is profoundly modern, one that values performance over authenticity - highlighting the counterfeit nature of modernity itself.

    Trade Review
    "The Modernity Bluff takes its place comfortably with the best writing on African youth, cities, and popular culture - Cole, De Boeck, Mbembe, Nyamanjoh, Simone, Weiss, White - and gives an utterly original angle for understanding the cultural underpinnings of the current conflict in Cote d'Ivoire. Sasha Newell knows both the contemporary and classic Africanist literatures. He also brings to bear a considerable amount of specialist theory to explain the ways the performance of 'bluff,' seemingly a king of consumerist simulacrum, can actually create something out of nothing." (Mike McGovern, Yale University)"

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