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Book Synopsis

Erik Satie - composer, dandy, eccentric - is dead. Told to select one memory to take with him into the afterlife, he finds himself in limbo with a community of the deceased, looking back at his fifty-nine years for their most precious moments. Evenings of absinthe at the Chat Noir? Friendships with Debussy, Duchamp and Man Ray? What of his great musical triumphs and disasters? How will he choose his own legacy before silent whiteness descends?

Venice, 1511. In the convent of Sant'' Alvise, Oliva is about to take the veil and become a bride of Christ. When her world is shaken - first, literally, by an earthquake, and then, spiritually, by forces that threaten to change the convent for ever - she begins to ask questions about her faith and her future. When she agrees to sit for Signor Avílo, the renowned portrait painter, he brings with him a diabolical object: a mirror. And reflections can be dangerous.

Told with playful elegance, these are two utterly

The Mirror

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    £10.80

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    Order before 4pm tomorrow for delivery by Tue 16 Jun 2026.

    A Paperback by Richard Skinner

    5 in stock


      View other formats and editions of The Mirror by Richard Skinner

      Publisher: Faber & Faber
      Publication Date: 11/5/2015 12:00:00 AM
      ISBN13: 9780571305087, 978-0571305087
      ISBN10: 0571305083

      Description

      Book Synopsis

      Erik Satie - composer, dandy, eccentric - is dead. Told to select one memory to take with him into the afterlife, he finds himself in limbo with a community of the deceased, looking back at his fifty-nine years for their most precious moments. Evenings of absinthe at the Chat Noir? Friendships with Debussy, Duchamp and Man Ray? What of his great musical triumphs and disasters? How will he choose his own legacy before silent whiteness descends?

      Venice, 1511. In the convent of Sant'' Alvise, Oliva is about to take the veil and become a bride of Christ. When her world is shaken - first, literally, by an earthquake, and then, spiritually, by forces that threaten to change the convent for ever - she begins to ask questions about her faith and her future. When she agrees to sit for Signor Avílo, the renowned portrait painter, he brings with him a diabolical object: a mirror. And reflections can be dangerous.

      Told with playful elegance, these are two utterly

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