Description

Book Synopsis

John Locke described the mind as a cabinet; Robert Hooke called it a repository; Joseph Addison imagined a drawer of medals. Each of these philosophers was an avid collector and curator of books, coins, and cultural artifacts. It is therefore no coincidence that when they wrote about the mental work of reason and imagination, they modeled their powers of intellect in terms of collecting, cataloging, and classification.
The Mind Is a Collection approaches seventeenth- and eighteenth-century metaphors of the mind from a material point of view. Each of the book''s six chapters is organized as a series of linked exhibits that speak to a single aspect of Enlightenment philosophies of mind. From his first chapter, on metaphor, to the last one, on dispossession, Sean Silver looks at ways that abstract theories referred to cognitive ecologies—systems crafted to enable certain kinds of thinking, such as libraries, workshops, notebooks, collections, and gardens. In doing so,

Trade Review
"Sean Silver is inspired by Bruno Latour to turn taxonomies into something more mobile and unexpected, representations of knowledge on the one hand and notices of privacy on the other. But it is Latour with a spice of Shandeism, where grand projects can end up as blank paper and noble conceptions as wind and water. Silver shows how risky his kind of network can be." * Jonathan Lamb, Vanderbilt University *
"The Mind Is a Collection is brilliant, distinguished, thoughtful, impressively researched, and highly learned." * Blakey Vermeule, Stanford University *

Table of Contents

Preface: Welcome to the Museum
Introduction
Case 1. Metaphor
1. John Locke's Commonplace Book
2. John Milton's Bed
3. Mark Akenside's Museum
Case 2. Design
4. Robert Hooke's Camera Obscura
5. Raphael's Judgment of Paris
6. A Gritty Pebble
7. An Oval Portrait of John Woodward
8. A Stone from the Grotto of Egeria
9. Venus at Her Toilet
Case 3. Digression
10. The Iliad in a Nutshell
11. A Full Stop
12. A Conical Roman Tumulus
13. The Reception of Claudius
14. Addison's Walk
Case 4. Inwardness
15. William Hay's Stone
16. Two Calculi Cut and Mounted in a Small Showcase
17. An Ampulla of the Blood of Thomas Becket
18. A Blue-Bound Copy of The Mysterious Mother
Case 5. Conception
19. A Blank Sheet of Paper (1)
20. A Folio Sheet with Two Sketches of a Single Conception
21. A Triumph of Galatea
22. Joshua Reynolds, William Hunter
Case 6. Dispossession
23. A Shilling
24. A Book of Accounts
25. A Blank Sheet of Paper (2)
26. A Ring Containing a Lock of Hair
27. The Lost Property Office
28. The Skeleton of Jonathan Wild
Conclusion
Notes
Index
Acknowledgments

The Mind Is a Collection

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    A Hardback by Sean Silver

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      Publisher: University of Pennsylvania Press
      Publication Date: Publication Date: 17/12/2015
      ISBN13: 9780812247268, 978-0812247268
      ISBN10: 0812247264

      Description

      Book Synopsis

      John Locke described the mind as a cabinet; Robert Hooke called it a repository; Joseph Addison imagined a drawer of medals. Each of these philosophers was an avid collector and curator of books, coins, and cultural artifacts. It is therefore no coincidence that when they wrote about the mental work of reason and imagination, they modeled their powers of intellect in terms of collecting, cataloging, and classification.
      The Mind Is a Collection approaches seventeenth- and eighteenth-century metaphors of the mind from a material point of view. Each of the book''s six chapters is organized as a series of linked exhibits that speak to a single aspect of Enlightenment philosophies of mind. From his first chapter, on metaphor, to the last one, on dispossession, Sean Silver looks at ways that abstract theories referred to cognitive ecologies—systems crafted to enable certain kinds of thinking, such as libraries, workshops, notebooks, collections, and gardens. In doing so,

      Trade Review
      "Sean Silver is inspired by Bruno Latour to turn taxonomies into something more mobile and unexpected, representations of knowledge on the one hand and notices of privacy on the other. But it is Latour with a spice of Shandeism, where grand projects can end up as blank paper and noble conceptions as wind and water. Silver shows how risky his kind of network can be." * Jonathan Lamb, Vanderbilt University *
      "The Mind Is a Collection is brilliant, distinguished, thoughtful, impressively researched, and highly learned." * Blakey Vermeule, Stanford University *

      Table of Contents

      Preface: Welcome to the Museum
      Introduction
      Case 1. Metaphor
      1. John Locke's Commonplace Book
      2. John Milton's Bed
      3. Mark Akenside's Museum
      Case 2. Design
      4. Robert Hooke's Camera Obscura
      5. Raphael's Judgment of Paris
      6. A Gritty Pebble
      7. An Oval Portrait of John Woodward
      8. A Stone from the Grotto of Egeria
      9. Venus at Her Toilet
      Case 3. Digression
      10. The Iliad in a Nutshell
      11. A Full Stop
      12. A Conical Roman Tumulus
      13. The Reception of Claudius
      14. Addison's Walk
      Case 4. Inwardness
      15. William Hay's Stone
      16. Two Calculi Cut and Mounted in a Small Showcase
      17. An Ampulla of the Blood of Thomas Becket
      18. A Blue-Bound Copy of The Mysterious Mother
      Case 5. Conception
      19. A Blank Sheet of Paper (1)
      20. A Folio Sheet with Two Sketches of a Single Conception
      21. A Triumph of Galatea
      22. Joshua Reynolds, William Hunter
      Case 6. Dispossession
      23. A Shilling
      24. A Book of Accounts
      25. A Blank Sheet of Paper (2)
      26. A Ring Containing a Lock of Hair
      27. The Lost Property Office
      28. The Skeleton of Jonathan Wild
      Conclusion
      Notes
      Index
      Acknowledgments

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