Description

Book Synopsis
This highly acclaimed introduction to the medieval lyric during the period 850-1300 is now reissued in a third edition, which includes a new preface and substantial new bibliographical indications. After an introductory discussionof the performers and performance of lyrics in the middle ages, each chapter analyses one of the major lyrical genres and centres on close critical discussion of outstanding lyrics, with generous quotation of texts and translations. While the rise of religious lyric and the transformations of love-lyric receive the fullest treatment, there are also chapters on women's songs, on the alba, on dance-songs, and on `lyrics of realism'.

Trade Review
A rich, closely packed book. * THE TIMES LITERARY SUPPLEMENT *

Table of Contents
Part 1 Introduction - performers and performance: the performer's travels; the performer's and composer's social status; the mode of performance; the performer's repertoire. Part 2 The rise of religious lyric: beginnings; the early sequence; the 11th century; 12th-century France; Italy and the Franciscans; early English lyrics; Spain and Portugal; Germany and the Low Countries. Part 3 "Cantigas de amigo". Part 4 Transformations of medieval love-lyric: Guillaume and Kuerenberc; troubadours and trouveres; Minnesang; a Latin lyric; English and Galician love-songs; from the Sicilians to Dante. Part 5 The alba. Part 6 Dance-songs. Part 7 Lyrics of realism.

The Medieval Lyric

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    RRP £24.99 – you save £1.25 (5%)

    Order before 4pm tomorrow for delivery by Mon 22 Jun 2026.

    A Paperback by Peter Dronke


      View other formats and editions of The Medieval Lyric by Peter Dronke

      Publisher: D. S. Brewer
      Publication Date: 1/1/1968 12:00:00 AM
      ISBN13: 9780859914840, 978-0859914840
      ISBN10: 0859914844

      Description

      Book Synopsis
      This highly acclaimed introduction to the medieval lyric during the period 850-1300 is now reissued in a third edition, which includes a new preface and substantial new bibliographical indications. After an introductory discussionof the performers and performance of lyrics in the middle ages, each chapter analyses one of the major lyrical genres and centres on close critical discussion of outstanding lyrics, with generous quotation of texts and translations. While the rise of religious lyric and the transformations of love-lyric receive the fullest treatment, there are also chapters on women's songs, on the alba, on dance-songs, and on `lyrics of realism'.

      Trade Review
      A rich, closely packed book. * THE TIMES LITERARY SUPPLEMENT *

      Table of Contents
      Part 1 Introduction - performers and performance: the performer's travels; the performer's and composer's social status; the mode of performance; the performer's repertoire. Part 2 The rise of religious lyric: beginnings; the early sequence; the 11th century; 12th-century France; Italy and the Franciscans; early English lyrics; Spain and Portugal; Germany and the Low Countries. Part 3 "Cantigas de amigo". Part 4 Transformations of medieval love-lyric: Guillaume and Kuerenberc; troubadours and trouveres; Minnesang; a Latin lyric; English and Galician love-songs; from the Sicilians to Dante. Part 5 The alba. Part 6 Dance-songs. Part 7 Lyrics of realism.

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