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Book Synopsis
The Marvelous Illusion: The Viola in My Life I-IV is a detailed analytical study of four of Morton Feldman''s most important works. Morton Feldman was one of the most original composers of the 20th century, and throughout his career he attempted to locate sound at the moment the listener becomes conscious of its presence. Focusing on the listener''s attention on the sounds themselves, Feldman created the marvelous illusion of sounds shaping into coherent music through the act of perceiving them, rather than through the act of composing. Each work appears to assemble itself for the listener as they experience it.Author Thomas DeLio examines each work from the perspective of pitch/interval content, temporal evolution, register and timbre. Spectrographs are used to visualize what a listener actually hears, not just what is notated on a printed page, offering a window into dimensions of sound that clearly, deeply affect our experience of a musical work but which are typically not considere

The Marvelous Illusion

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    A Paperback by Thomas DeLio

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      Publisher: Oxford University Press Inc
      Publication Date: 11/13/2024 12:00:00 AM
      ISBN13: 9780197759936, 978-0197759936
      ISBN10: 0197759939

      Description

      Book Synopsis
      The Marvelous Illusion: The Viola in My Life I-IV is a detailed analytical study of four of Morton Feldman''s most important works. Morton Feldman was one of the most original composers of the 20th century, and throughout his career he attempted to locate sound at the moment the listener becomes conscious of its presence. Focusing on the listener''s attention on the sounds themselves, Feldman created the marvelous illusion of sounds shaping into coherent music through the act of perceiving them, rather than through the act of composing. Each work appears to assemble itself for the listener as they experience it.Author Thomas DeLio examines each work from the perspective of pitch/interval content, temporal evolution, register and timbre. Spectrographs are used to visualize what a listener actually hears, not just what is notated on a printed page, offering a window into dimensions of sound that clearly, deeply affect our experience of a musical work but which are typically not considere

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