Description
Book Synopsis Until his early retirement at age 50, Hasse Ekman was one of the leading lights of Swedish cinema, an actor, writer, and director of prodigious talents. Yet today his work is virtually unknown outside of Sweden, eclipsed by the filmography of his occasional collaborator (and frequent rival) Ingmar Bergman. This comprehensive introduction—the first ever in English—follows Ekman’s career from his early days as a film journalist, through landmark films such as Girl with Hyacinths (1950), to his retirement amid exhaustion and disillusionment. Combining historical context with insightful analyses of Ekman’s styles and themes, this long overdue study considerably enriches our understanding of Swedish film history.
Trade Review “The publication is a refreshing addition to cinema shelves for it also contributes to the discourse of authorship, and provides much need international articulation of the history of Swedish cinema.” • Historical Journal of Film, Radio and Television
“The book has much to offer, providing the reader with insight not only into Ekman and his films but also Swedish cinema more generally. That said, given the attempt to distance Ekman from Bergman, there is some irony that The Man from the Third Row is also fascinating for anyone interested in the latter… Indeed, discussions of the open rivalry between the two are among the most exciting aspects of Gustafsson’s book.” • Studies in European Cinema
“…a much needed, well-written and informative overview of an under-researched filmmaker" • Flm
“Fredrik Gustafsson has given the enormously talented Swedish writer-director Hasse Ekman the English-language critical study and international exposure he has long deserved. This revelatory book not only reclaims an overlooked European auteur, but also compellingly establishes the 1940s as one of the most essential decades in the Swedish film canon.” • Arne Lunde, University of California, Los Angeles
“Gustafsson's comprehensive study of the consummate film artist Hasse Ekman casts a new light on Swedish cinema. Combining auteur study with an encyclopedic knowledge of 20th century film culture, Gustafsson places the little known Ekman at the crossroads of new cinema developments in Sweden and beyond. An original and fundamental study.” • Robert Burgoyne, University of St. Andrews
Table of Contents List of Illustrations
Acknowledgements
Introduction
Chapter 1. On Auteurs and National Cinema
Chapter 2. The Social Context
Chapter 3. Swedish Cinema
Chapter 4. Hasse Ekman in the Renaissance
Chapter 5. The Early 1950s
Chapter 6. The Final Years
Chapter 7. Ideas and Legacy
Conclusion
Filmography
Works cited
Index
