Description
Book SynopsisThis volume of the BDMP series charts the genesis of three iconic Beckett plays:
Not I (1973),
That Time (1976) and
Footfalls (1976), all translated into French by their author. Including analyses of abandoned archival precursors the
Kilcool' drafts (1963) and the
Petit Odéon' Fragments (19671968) the book covers a crucial period in Beckett's playwriting career, during which his long-held ambition to stage a mouth babbling in the dark became a catalyst for some of his most innovative work. This volume provides a comprehensive guide to the history of the three plays, tracking their development from compositional manuscripts through to publication and performance. The book contends that these plays should be seen as stagings of the subjectobject breakdown explored in Beckett's early writing. Drawing on the notes he took on psychology and psychoanalysis in 19341935, it examines the many psychological and psychoanalytic concepts that are used in the aut
Trade ReviewWith this monograph, Little effectively convinces us that the successive drafts offer evidence of a heightening of interpretive ambiguity and uncertainty that blurs the line between self and other, inside and outside, reality and fiction. “Doing this”, Little concludes, “will probably not solve the questions asked by these works — Who is Godot? What happened to Mouth in the field? Is May alive or dead? — but it can help us better understand how these questions are posed” (483). For all these reasons, this volume in the BDMP series is without doubt a highly commendable and very rewarding read for those researchers interested in an in-depth foray into Beckett’s late theatre and creative mind. * Textual Cultures *
Table of ContentsAcknowledgements List of Abbreviations Note on the Transcriptions List of Illustrations Introduction: Beckett’s Breakdowns PART I The Making of Not I / Pas moi 1 Documents 1.1 Autograph Manuscripts 1.1.1 English 1.1.2 French 1.2 Typescripts 1.2.1 English 1.2.2 French 1.3 Setting Copies, Galleys and Annotated Copies 1.3.1 English 1.4 Pre-book Publications 1.4.1 French 1.5 Editions 1.5.1 English (UK) 1.5.2 English (US) 1.5.3 French 1.5.4 Multilingual 1.6 Playscripts and Production Notes 1.6.1 English 1.7 Genetic Map 2 The Genesis of Not I / Pas moi 2.1 Before Not I / Pas moi 2.1.1 ‘Kilcool’ 2.1.2‘ Petit Odéon’ Fragments 2.2 The Genesis of Not I 2.2.1 Chronology 2.2.2 Genesis 2.3 The Genesis of Pas moi 2.3.1 Chronology 2.3.2 Genesis PART II The Making of That Time / Cette fois 3 Documents 3.1 Autograph Manuscripts 3.1.1 English 3.1.2 French 3.2 Typescripts 3.2.1 English 3.2.2 French 3.3 Setting Copies and Galleys 3.3.1 English 3.3.2 French 3.4 Editions 3.4.1 English (UK) 3.4.2 English (US) 3.4.3 French 3.4.4 Multilingual 3.5 Playscripts and Production Notes 3.5.1 English 3.5.2 Multilingual 3.6 Genetic Map 4 The Genesis of That Time / Cette fois 4.1 The Genesis of That Time 4.1.1 Chronology 4.1.2 Genesis 4.2 The Genesis of Cette fois 4.2.1 Chronology 4.2.2 Genesis PART III The Making of Footfalls / Pas 5 Documents 5.1 Autograph Manuscripts 5.1.1 English 5.2 Typescripts 5.2.1 English 5.2.2 French 5.3 Setting Copies, Galleys and Page Proofs 5.3.1 English 5.3.2 French 5.4 Pre-book Publications 5.4.1 French 5.5 Editions 5.5.1 English (UK) 5.5.2 English (US) 5.5.3 French 5.5.4 Multilingual 5.6 Playscripts, Production notes and Annotated Copies 5.6.1 English 5.6.2 Multilingual 5.7 Genetic Map 6 The Genesis of Footfalls / Pas 6.1 The Genesis of Footfalls 6.1.1 Chronology 6.1.2 Genesis 6.2 The Genesis of Pas 6.2.1 Chronology 6.2.2 Genesis Conclusion: Beckett’s ‘dark matter’ Works Cited Index
