Description

Book Synopsis
A man murdered during Katrina in a hotel room two blocks from her art-restoration studio was closely tied to a part of Johanna's past that she would like kept secret. But missing from the crime scene is a valuable artwork painted in 1926 by a renowned Belgian artist that might bring it all back. An acquaintance, Clay Fontenot, who has enabled a wide variety of personal violations in his life, some of which he has enjoyed, is the scion of a powerful New Orleans family. And Marion is an artist and masseuse from the Quarter who has returned after Katrina to rebuild her life. When Eli, a convicted art thief, is sent to find the missing painting, all of their stories weave together in the slightly deranged halls of the Quarter.

Trade Review
"The deft unfolding of the underlying mystery is rich with characterization and atmosphere and can be appreciated by a wide range of readers." - Library Journal "The novel's greatest strength is how it imbues both the loftiest and the seediest moments with grandeur and pathos without being overwrought or overwritten. An artful, gritty love story, eulogy, and survivor narrative for the city of New Orleans post-Katrina." - Starred Kirkus Review "A deft and vivid portrait of post-Katrina New Orleans, The Lower Quarter flirts along the edges of noir, gets its feet wet, and then returns to offer us the satisfactions of vivid characters complexly and convincingly drawn. This book is about what happens if you pay attention to the real story instead of just reading the tabloid headlines." -- Brian Evenson "In Elise Blackwell's new novel The Lower Quarter, place comes alive as it all too rarely seems to in fiction or for that matter any other genre. Every time I put the book down for a few minutes, I had to look around and get my bearings, because I'd been in another world. The characters here are every bit as real as their environment, and I became absorbed in their lives. My admiration for this beguiling book and its talented author is unqualified." -- Steve Yarbrough "The Lower Quarter is a beautifully written book. Elise Blackwell's work has always been intelligent, nuanced, and finely wrought, but The Lower Quarter is her best novel yet: a mesmerizing story of art, resilience, and life after catastrophe." -- Emily St. John Mandel "The Lower Quarter is noir at its noirest best: dark, fast-paced, sexily exciting, and beautifully written. Pick it up and I dare you to try putting it down." -- Benjamin Black (John Banville) "A bedazzling southern noir set in post-Katrina New Orleans, The Lower Quarter catches us up in the tangled paths of four individuals, each haunted by a brutal past. While expertly unraveling her characters' intertwining stories, Elise Blackwell in her highly atmospheric new novel powerfully conveys the endlessly destructive legacy of violence and the redemptive beauty of art." -- Jenny McPhee

The Lower Quarter: A Novel

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    £12.99

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    Order before 4pm today for delivery by Wed 1 Jul 2026.

    A Paperback / softback by Elise Blackwell

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      View other formats and editions of The Lower Quarter: A Novel by Elise Blackwell

      Publisher: Unbridled Books
      Publication Date: 08/10/2015
      ISBN13: 9781609531195, 978-1609531195
      ISBN10: 1609531191

      Description

      Book Synopsis
      A man murdered during Katrina in a hotel room two blocks from her art-restoration studio was closely tied to a part of Johanna's past that she would like kept secret. But missing from the crime scene is a valuable artwork painted in 1926 by a renowned Belgian artist that might bring it all back. An acquaintance, Clay Fontenot, who has enabled a wide variety of personal violations in his life, some of which he has enjoyed, is the scion of a powerful New Orleans family. And Marion is an artist and masseuse from the Quarter who has returned after Katrina to rebuild her life. When Eli, a convicted art thief, is sent to find the missing painting, all of their stories weave together in the slightly deranged halls of the Quarter.

      Trade Review
      "The deft unfolding of the underlying mystery is rich with characterization and atmosphere and can be appreciated by a wide range of readers." - Library Journal "The novel's greatest strength is how it imbues both the loftiest and the seediest moments with grandeur and pathos without being overwrought or overwritten. An artful, gritty love story, eulogy, and survivor narrative for the city of New Orleans post-Katrina." - Starred Kirkus Review "A deft and vivid portrait of post-Katrina New Orleans, The Lower Quarter flirts along the edges of noir, gets its feet wet, and then returns to offer us the satisfactions of vivid characters complexly and convincingly drawn. This book is about what happens if you pay attention to the real story instead of just reading the tabloid headlines." -- Brian Evenson "In Elise Blackwell's new novel The Lower Quarter, place comes alive as it all too rarely seems to in fiction or for that matter any other genre. Every time I put the book down for a few minutes, I had to look around and get my bearings, because I'd been in another world. The characters here are every bit as real as their environment, and I became absorbed in their lives. My admiration for this beguiling book and its talented author is unqualified." -- Steve Yarbrough "The Lower Quarter is a beautifully written book. Elise Blackwell's work has always been intelligent, nuanced, and finely wrought, but The Lower Quarter is her best novel yet: a mesmerizing story of art, resilience, and life after catastrophe." -- Emily St. John Mandel "The Lower Quarter is noir at its noirest best: dark, fast-paced, sexily exciting, and beautifully written. Pick it up and I dare you to try putting it down." -- Benjamin Black (John Banville) "A bedazzling southern noir set in post-Katrina New Orleans, The Lower Quarter catches us up in the tangled paths of four individuals, each haunted by a brutal past. While expertly unraveling her characters' intertwining stories, Elise Blackwell in her highly atmospheric new novel powerfully conveys the endlessly destructive legacy of violence and the redemptive beauty of art." -- Jenny McPhee

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