Description

Book Synopsis
Kenneth Josephson is one of the foremost conceptual photographers in America. Since the early 1960s, when institutions such as MoMA privileged photography in the documentary mode, Josephson has championed the photograph as an object made, not taken, by an artist pursuing an idea. Using innovative techniques such as placing images within images and including his own body in photographs, Josephson has created an outstanding body of work that is startlingly contemporary and full of ideas that stimulate the digital generation-ideas about the nature of seeing, of reality, and of human aspirations, and about what it means to be a human observing the world. The Light of Coincidence is the definitive, career-spanning retrospective of Kenneth Josephson's work and one of the few volumes ever published on this major artist. Josephson has worked in series over long periods of time, and this book beautifully reproduces representative selections from every series, including Josephson's best-known Images within Images. Lynne Warren places Josephson's art in historical context, from his early studies with Aaron Siskind and Harry Callahan at the Institute of Design and with Minor White at the Rochester Institute of Technology, to his mature work, which shares affinities with that of conceptual artists such as Cindy Sherman and Ed Ruscha, to his shaping influence on generations of students at the School of the Art Institute of Chicago, where he taught for over thirty-five years. Preeminent photo historian Gerry Badger's foreword confirms Josephson's stature as an artist who has explored in a thoroughly creative and complex, yet accessible, way, the perhaps narrow but infinitely deep gap between actuality and image.

Trade Review
[Josephson] was a pioneer in conceptual photography . . . The book shows the tremendous range of image-making styles, from street photography to collage, poignant family photos, references to photo history, and cheeky nudes. It’s easy to imagine they’ll continue to resonate deep into the future. * New York Times Lens Blog *
. . . this monograph shows why for more than six decades Kenneth Josephson has been seen as a leader of conceptual photography. * Black & White Photography *

Table of Contents
  • Foreword. Photographer on Photography: The Photographic Enquiries of Kenneth Josephson (by Gerry Badger)
  • Kenneth Josephson (by Lynne Warren)
  • Plates
    • Family
    • Urban/Manmade
    • Nature/Landscape
    • Self-Portrait
    • Studio/Objects
    • Women
  • List of Plates
  • Kenneth Josephson: Chronology
  • Exhibition History
  • Public Collections
  • Awards, Fellowships, and Grants
  • Sources of Quotes
  • Acknowledgments

The Light of Coincidence The Photographs of

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    A Hardback by Kenneth Josephson

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      View other formats and editions of The Light of Coincidence The Photographs of by Kenneth Josephson

      Publisher: MU - University of Texas Press
      Publication Date: Publication Date: 4/5/2016 12:00:00 AM
      ISBN13: 9781477309384, 978-1477309384
      ISBN10: 1477309381

      Description

      Book Synopsis
      Kenneth Josephson is one of the foremost conceptual photographers in America. Since the early 1960s, when institutions such as MoMA privileged photography in the documentary mode, Josephson has championed the photograph as an object made, not taken, by an artist pursuing an idea. Using innovative techniques such as placing images within images and including his own body in photographs, Josephson has created an outstanding body of work that is startlingly contemporary and full of ideas that stimulate the digital generation-ideas about the nature of seeing, of reality, and of human aspirations, and about what it means to be a human observing the world. The Light of Coincidence is the definitive, career-spanning retrospective of Kenneth Josephson's work and one of the few volumes ever published on this major artist. Josephson has worked in series over long periods of time, and this book beautifully reproduces representative selections from every series, including Josephson's best-known Images within Images. Lynne Warren places Josephson's art in historical context, from his early studies with Aaron Siskind and Harry Callahan at the Institute of Design and with Minor White at the Rochester Institute of Technology, to his mature work, which shares affinities with that of conceptual artists such as Cindy Sherman and Ed Ruscha, to his shaping influence on generations of students at the School of the Art Institute of Chicago, where he taught for over thirty-five years. Preeminent photo historian Gerry Badger's foreword confirms Josephson's stature as an artist who has explored in a thoroughly creative and complex, yet accessible, way, the perhaps narrow but infinitely deep gap between actuality and image.

      Trade Review
      [Josephson] was a pioneer in conceptual photography . . . The book shows the tremendous range of image-making styles, from street photography to collage, poignant family photos, references to photo history, and cheeky nudes. It’s easy to imagine they’ll continue to resonate deep into the future. * New York Times Lens Blog *
      . . . this monograph shows why for more than six decades Kenneth Josephson has been seen as a leader of conceptual photography. * Black & White Photography *

      Table of Contents
      • Foreword. Photographer on Photography: The Photographic Enquiries of Kenneth Josephson (by Gerry Badger)
      • Kenneth Josephson (by Lynne Warren)
      • Plates
        • Family
        • Urban/Manmade
        • Nature/Landscape
        • Self-Portrait
        • Studio/Objects
        • Women
      • List of Plates
      • Kenneth Josephson: Chronology
      • Exhibition History
      • Public Collections
      • Awards, Fellowships, and Grants
      • Sources of Quotes
      • Acknowledgments

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