Description

***A TIME MAGAZINE, LITHUB, WHITE REVIEW BEST BOOK OF 2021***

"200 pages of serious entertainment." ―The Times

The Life of the Mind opens with Dorothy sitting on a library toilet, checking her phone and examining the “thick, curdled knots of string” coming out of her body. No one but her boyfriend knows that she’s had a miscarriage, not even her therapists–Dorothy has two of them.

An adjunct professor of English in New York City with no hope of finding a permanent position, Dorothy’s stuck, unable to envision the future or cut ties with the past. “What did you call it,” she asks herself, “when a life stopped developing, but it didn’t end?”

Christine Smallwood’s debut is a campus novel like no other. Piercingly intelligent and darkly hilarious, it moves from a classroom to an underwater puppet show, from a conference in Las Vegas to a karaoke party. It is a discomforting glimpse into the head of a brilliant woman on the edge, it is a novel about endings: of youth, of professional aspiration, of possibility, of the illusion that our minds can ever free us from the tyranny of our bodies.

The Life of the Mind: "Sharp and funny." (Daily Mail)

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Paperback / softback by Christine Smallwood

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***A TIME MAGAZINE, LITHUB, WHITE REVIEW BEST BOOK OF 2021*** "200 pages of serious entertainment." ―The Times The Life of... Read more

    Publisher: Europa Editions (UK) Ltd
    Publication Date: 04/08/2022
    ISBN13: 9781787704268, 978-1787704268
    ISBN10: 1787704262

    Number of Pages: 208

    Fiction , Contemporary Fiction

    Description

    ***A TIME MAGAZINE, LITHUB, WHITE REVIEW BEST BOOK OF 2021***

    "200 pages of serious entertainment." ―The Times

    The Life of the Mind opens with Dorothy sitting on a library toilet, checking her phone and examining the “thick, curdled knots of string” coming out of her body. No one but her boyfriend knows that she’s had a miscarriage, not even her therapists–Dorothy has two of them.

    An adjunct professor of English in New York City with no hope of finding a permanent position, Dorothy’s stuck, unable to envision the future or cut ties with the past. “What did you call it,” she asks herself, “when a life stopped developing, but it didn’t end?”

    Christine Smallwood’s debut is a campus novel like no other. Piercingly intelligent and darkly hilarious, it moves from a classroom to an underwater puppet show, from a conference in Las Vegas to a karaoke party. It is a discomforting glimpse into the head of a brilliant woman on the edge, it is a novel about endings: of youth, of professional aspiration, of possibility, of the illusion that our minds can ever free us from the tyranny of our bodies.

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