Description
Book SynopsisRecovering a lost literary movement that was the most consuming preoccupation of W. B. Yeats''s literary life and the most integral to his poetry and drama, Ronald Schuchard''s The Last Minstrels provides an historical, biographical, and critical reconstruction of the poet''s lifelong attempt to restore an oral tradition by reviving the bardic arts of chanting and musical speech. From the beginning of his career Yeats was determined to return the ''living voice'' of the poet from exile to the centre of culture - on its platforms, stages, and streets - thereby establishing a spiritual democracy in the arts for the non-reading as well as the reading public. Schuchard''s study enhances our understanding of Yeats''s cultural nationalism, his aims for the Abbey Theatre, and his dynamic place in a complex of interrelated arts in London and Dublin. With a wealth of new archival materials, the narrative intervenes in literary history to show the attempts of Yeats and Florence Farr to take the
Trade Reviewthis graceful and scholarly book affirmsthe importance of music and the great 'other' in Yeat's imagination. * Harry White, Music & Letters *
Table of ContentsPreface ; 1. Bardic Forefathers ; 2. London Minstrels ; 3. Dublin Minstrels ; 4. Minstrels and Masquers ; 5. Dancers and Choruses ; 6. A Spiritual Democracy ; 7. Minstrel Abroad ; 8. 'As Regarding Rhythm': Minstrels and Imagists ; 9. Modern Minstrels ; 10. The Last Minstrel ; Appendix 1: Florence Farr, 'The Chanting of Poems' (1905) ; Appendix 2: Florence Farr, 'Music and Words' (1906) ; Appendix 3: Edmund Dulac, 'Music and Poetry' (1937)
