Description

Book Synopsis
This book offers an account of the surprising interaction between trauma and justice. Moving from texts by Arendt, Benjamin, Freud, Zola, and Tolstoy to the Dreyfus and Nuremberg trials, and the trials of O. J. Simpson and Adolf Eichmann, Felman argues that the adjudication of collective traumas in the 20th century transformed both culture and law.

Trade Review
I have always been an unconditional admirer of Shoshana Felman's critical writing. I don't recall ever having read a flat or flabby paragraph from her pen; rather, she hones her writing so perfectly that it enables her to make the most sensitive arguments in the strongest and clearest way. Her interest has always been in the coming to expression, under various names (madness, woman, trauma…) of what she here ends up calling, after Walter Benjamin, the "expressionless." In that respect her new book, as firmly and subtly written and as absorbing as her previous ones, forms something of a "capstone" to her work. She turns here to trials, and specifically to trials that are perceived as historic; such trials, she argues, are in a complex relation to collective traumas that they partially serve to contain and even silence, but which can also emerge from invisibility in them, sometimes transforming the law itself in the process. -- Ross Chambers, Distinguished Professor of French and Comparative Literature at the University of Michigan
In this extraordinarily engaging and provocative study, paradoxically, the failure of the trial may indicate its "speaking power." -- Harriet Murav * Comparative Literature Studies *

Table of Contents
Acknowledgments Introduction 1. The Storyteller's Silence: Walter Benjamin's Dilemma of Justice 2. Forms of Judicial Blindness, or the Evidence of What Cannot Be Seen: Traumatic Narratives and Legal Repetitions in the O. J. Simpson Case and in Tolstoy's The Kreutzer Sonata 3. Theaters of Justice: Arendt in Jerusalem, the Eichmann Trial, and the Redefinition of Legal Meaning in the Wake of the Holocaust 4. A Ghost in the House of Justice: Death and the Language of the Law Abbreviations Notes Index

The Juridical Unconscious Trials Traumas in the

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    A Paperback by Shoshana Felman

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      View other formats and editions of The Juridical Unconscious Trials Traumas in the by Shoshana Felman

      Publisher: Harvard University Press
      Publication Date: 11/30/2002 12:00:00 AM
      ISBN13: 9780674009516, 978-0674009516
      ISBN10: 0674009517

      Description

      Book Synopsis
      This book offers an account of the surprising interaction between trauma and justice. Moving from texts by Arendt, Benjamin, Freud, Zola, and Tolstoy to the Dreyfus and Nuremberg trials, and the trials of O. J. Simpson and Adolf Eichmann, Felman argues that the adjudication of collective traumas in the 20th century transformed both culture and law.

      Trade Review
      I have always been an unconditional admirer of Shoshana Felman's critical writing. I don't recall ever having read a flat or flabby paragraph from her pen; rather, she hones her writing so perfectly that it enables her to make the most sensitive arguments in the strongest and clearest way. Her interest has always been in the coming to expression, under various names (madness, woman, trauma…) of what she here ends up calling, after Walter Benjamin, the "expressionless." In that respect her new book, as firmly and subtly written and as absorbing as her previous ones, forms something of a "capstone" to her work. She turns here to trials, and specifically to trials that are perceived as historic; such trials, she argues, are in a complex relation to collective traumas that they partially serve to contain and even silence, but which can also emerge from invisibility in them, sometimes transforming the law itself in the process. -- Ross Chambers, Distinguished Professor of French and Comparative Literature at the University of Michigan
      In this extraordinarily engaging and provocative study, paradoxically, the failure of the trial may indicate its "speaking power." -- Harriet Murav * Comparative Literature Studies *

      Table of Contents
      Acknowledgments Introduction 1. The Storyteller's Silence: Walter Benjamin's Dilemma of Justice 2. Forms of Judicial Blindness, or the Evidence of What Cannot Be Seen: Traumatic Narratives and Legal Repetitions in the O. J. Simpson Case and in Tolstoy's The Kreutzer Sonata 3. Theaters of Justice: Arendt in Jerusalem, the Eichmann Trial, and the Redefinition of Legal Meaning in the Wake of the Holocaust 4. A Ghost in the House of Justice: Death and the Language of the Law Abbreviations Notes Index

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