Description

Book Synopsis
One of the most popular presidents of the twentieth century, John F. Kennedy has been the subject of countless books, documentaries, and portrayals both on television and in feature films. Whether depicting his exploits during World War II (PT-109), capturing crucial moments during his presidency (Thirteen Days), or providing a fictionalized account of his assassination (Executive Action), films continue to portray Kennedy and his legacy. In The JFK Image: Profiles in Docudrama, Raluca Lucia Cimpean examines John F. Kennedy's representations in motion pictures, focusing on how the late president's image has been constructed to keep the myths of the Kennedy era and Camelot alive. The volume explores those myths through docudramas, which combine the aesthetic and narrative codes of documentaries with those of fiction to portray the characters and events of the Kennedy era as classic battles between good and evil. Beginning with an examination of the docudrama and its uses, this book anal

Trade Review
The JFK Image: Profiles in Docudrama makes an important contribution to the theoretical analysis of docudrama as a new and independent genre as well as to the study of John F. Kennedy’s image in American popular culture. -- Manfred Berg, Curt Engelhorn Professor of American History, Heidelberg University
Cimpean attempts to deconstruct how John F. Kennedy's mythologized image has been used in docudramas (and in various forms of print media) since his assassination on November 22, 1963. In part 1, she proposes that Kennedy's image is composed of his professional actions during his presidency and his legacy soon after his murder, perpetuated by Jacqueline Kennedy, close friends, and journalists (what Cimpean calls The New Frontier and Camelot), along with the sordid and 'unflattering' details of his personal life that have surfaced in the years since (which Cimpean terms 'Camelot-Inside-Out'). In part 2, she frames these time periods by discussing them under three headings—'The Kennedy Leadership,' 'The Kennedy Assassination,' and 'Kennedy Nostalgia'—providing a firm foundation for her argument. Summing Up: Recommended. . . .Upper-division undergraduates. * CHOICE *
Much of the historical context the author surveys in the opening chapters may be familiar...but the author’s focus on how contemporary journalists and historians discussed Kennedy’s presidential leadership and postassassination legacy proves enlightening.... As some universities have offered courses examining the depiction of the presidency in film, television, and new media, especially during election years, a focused study like The JFK Image can supplement preexisting, broader texts.... This book is also recommended for Oliver Stone scholars, as the author’s criticisms of Stone are rarely seen in other Stone scholarship. Courses on the Kennedy administration and the Cold War may also benefit from adopting this text, not only in its examination of the construction of Kennedy’s image while in office...to how he was remembered after the assassination, but also in its incredible detail on Kennedy historiography and Cimpean’s simple, yet clear taxonomy. * Journal of American Culture *

Table of Contents
Acknowledgments Foreword Introduction PART ONE: Docudrama – History Enacted PART TWO: The JFK Image – Cultural Schemata Chapter One: Kennedy’s Mythic Terrain - The New Frontier Chapter Two: Kennedy Hagiography - Camelot on Film Chapter Three: Kennedy Iconoclasm - Camelot-Inside-Out PART THREE: JFK Docuramas – John F. Kennedy’s Posthumous Cinematic Career Chapter Four: The Kennedy Leadership Chapter Five: The Kennedy Assassination Chapter Six: Kennedy Nostalgia Conclusion Bibliography About the Author

The JFK Image

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    A Hardback by Raluca Lucia Cimpean

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      View other formats and editions of The JFK Image by Raluca Lucia Cimpean

      Publisher: Rowman & Littlefield
      Publication Date: 1/16/2014 12:10:00 AM
      ISBN13: 9781442243088, 978-1442243088
      ISBN10: 1442243082

      Description

      Book Synopsis
      One of the most popular presidents of the twentieth century, John F. Kennedy has been the subject of countless books, documentaries, and portrayals both on television and in feature films. Whether depicting his exploits during World War II (PT-109), capturing crucial moments during his presidency (Thirteen Days), or providing a fictionalized account of his assassination (Executive Action), films continue to portray Kennedy and his legacy. In The JFK Image: Profiles in Docudrama, Raluca Lucia Cimpean examines John F. Kennedy's representations in motion pictures, focusing on how the late president's image has been constructed to keep the myths of the Kennedy era and Camelot alive. The volume explores those myths through docudramas, which combine the aesthetic and narrative codes of documentaries with those of fiction to portray the characters and events of the Kennedy era as classic battles between good and evil. Beginning with an examination of the docudrama and its uses, this book anal

      Trade Review
      The JFK Image: Profiles in Docudrama makes an important contribution to the theoretical analysis of docudrama as a new and independent genre as well as to the study of John F. Kennedy’s image in American popular culture. -- Manfred Berg, Curt Engelhorn Professor of American History, Heidelberg University
      Cimpean attempts to deconstruct how John F. Kennedy's mythologized image has been used in docudramas (and in various forms of print media) since his assassination on November 22, 1963. In part 1, she proposes that Kennedy's image is composed of his professional actions during his presidency and his legacy soon after his murder, perpetuated by Jacqueline Kennedy, close friends, and journalists (what Cimpean calls The New Frontier and Camelot), along with the sordid and 'unflattering' details of his personal life that have surfaced in the years since (which Cimpean terms 'Camelot-Inside-Out'). In part 2, she frames these time periods by discussing them under three headings—'The Kennedy Leadership,' 'The Kennedy Assassination,' and 'Kennedy Nostalgia'—providing a firm foundation for her argument. Summing Up: Recommended. . . .Upper-division undergraduates. * CHOICE *
      Much of the historical context the author surveys in the opening chapters may be familiar...but the author’s focus on how contemporary journalists and historians discussed Kennedy’s presidential leadership and postassassination legacy proves enlightening.... As some universities have offered courses examining the depiction of the presidency in film, television, and new media, especially during election years, a focused study like The JFK Image can supplement preexisting, broader texts.... This book is also recommended for Oliver Stone scholars, as the author’s criticisms of Stone are rarely seen in other Stone scholarship. Courses on the Kennedy administration and the Cold War may also benefit from adopting this text, not only in its examination of the construction of Kennedy’s image while in office...to how he was remembered after the assassination, but also in its incredible detail on Kennedy historiography and Cimpean’s simple, yet clear taxonomy. * Journal of American Culture *

      Table of Contents
      Acknowledgments Foreword Introduction PART ONE: Docudrama – History Enacted PART TWO: The JFK Image – Cultural Schemata Chapter One: Kennedy’s Mythic Terrain - The New Frontier Chapter Two: Kennedy Hagiography - Camelot on Film Chapter Three: Kennedy Iconoclasm - Camelot-Inside-Out PART THREE: JFK Docuramas – John F. Kennedy’s Posthumous Cinematic Career Chapter Four: The Kennedy Leadership Chapter Five: The Kennedy Assassination Chapter Six: Kennedy Nostalgia Conclusion Bibliography About the Author

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