Description
Book SynopsisLong viewed as a tabula rasa, the deserts of the American West have played a distinct role in the projection of American cultural identities. Historically represented through fantasies of individualism, frontier ruggedness, and land acquisition, the desert is also the site of extreme social and environmental violence. The Invention of the American Desert brings together a wide-ranging group of interdisciplinary essays that explore, through diverse perspectives, dialectical problems posed by an environment that has served as a testing ground for modernist experimentation in art and architecture, military-industrial incursions, and ecological disasters throughout the twentieth and twenty-first centuries. In light of the urgent climate crisis and the planet's increasing desertification, this volume reflects on the nature and legacy of the desert as a crucible for competing visions of land, environment, and art.
Table of ContentsAcknowledgments
Introduction
Lyle Massey and James Nisbet
PART ONE: CONTAMINATION
1. Desolate Dreams
Joseph Masco
2. Air, Wind, Breath, Life: Desertification and Will Wilson’s AIR (Auto-Immune Response)
Jessica L. Horton
PART TWO: FABRICATION
3. Notes from Bioteknika
Albert Narath
4. Troglodyte Modernists
Lyle Massey
5. Explosive Modernism: Hiram Hudson Benedict's Bouldereign and Zabriskie Point at Fifty
Edward Dimendberg
PART THREE: INVISIBILITY
6. Point Omega / Omega Point: Desert in Three Parts
Stefanie Sobelle
7. The Desert in Fine Grain
Emily Eliza Scott
PART FOUR: DYSTOPIA
8. The Desert as Black Mythology
Bridget R. Cooks
9. On the Recalcitrance of the Desert Island, by way of Andrea Zittel's A–Z West
James Nisbet
CODA
10. Four Theses for the Coming Deserts
Hans Baumann and Karen Pinkus
List of Contributors
List of Illustrations
Index
