Description
Book SynopsisPresents the latest research on the Swedish playwright August Strindberg and his relation to modern and contemporary literature and art. In her compelling introduction, Anna WesterstÃhl Stenport argues that Strindbergâs work embodies and promotes the spirit of internationalism that emerged at the end of the nineteenth century.
Table of ContentsTable of Contents Acknowledgements p. 4 1. Introduction: The International Strindberg p. 6 Anna Westerståhl Stenport 2. Stockholm – Berlin – Moscow: Strindberg and Avant-Garde Performance in the 1920s Eszter Szalczer p. 37 3. Castration Anxiety and Traumatic Encounters with the Real in the Works of August Strindberg and Lars von Trier p. 70 Mads Bunch 4. Reconsidering the Place of Strindberg in Surrealism: André Breton and the Light of the Objective Chance Encounter p. 103. Maxime Abolgassemi 5. Standing at the Bourne of the Modern: Strindberg's Ecological Subject in By the Open Sea and his Archipelago Paintings p. 127 Linda Haverty Rugg 6. Paris, Laboratory of Modernity: Modernist Experimentation and August Strindberg’s Search for ""the Equation"" in Paris p. 151 Sylvain Briens 7. Voices and Visions in Fingal’s Cave: Plato and Strindberg p. 181 Freddie Rokem 8. Money Metaphors and Rhetoric of Resource Depletion: Creditors and Late Nineteenth-Century European Economics. p. 207 Anna Westerståhl Stenport 9. A Nineteenth-Century Long Poem Meets Modernity: Sleepwalking Nights p. 239 Massimo Ciaravolo 10. By the Open Sea—A Decadent Novel? Reconsidering Relationships between Nietzsche, Strindberg, and Fin-de-siècle Culture. p. 279. Tobias Dahlkvist 11. ‘The Spoken Word is All’—‘Ordet det talade är allt’: Translating Strindberg for the International Stage p. 308. Anne-Charlotte Hanes Harvey 12. The Art of Doubt: Form, Genre, History in Miss Julie p. 359 Leonardo F. Lisi 13. Notes on Contributors p. 401
