Description
Book SynopsisThe Indecent Screen explores clashes over indecency in broadcast television among U.S.-based media advocates, the Federal Communications Commission, the TV industry, and audiences. Cynthia Chris focuses on decency debates since the Telecommunications Act of 1996, which have called into question the roles of family and government, and the value of free speech.
Trade Review“
The Indecent Screen may represent the literal ‘bookend’ on the history of broadcasting in relation to questions of choice in the market, public service and the airwaves, and decency. It could not be more timely and engaged with present debates.” -- Victoria E. Johnson * author of Heartland TV: Prime Time Television and the Struggle for U.S. Identity *
"
The Indecent Screen is an incisive look at the limits and limitations of contemporary media policy." -- Jennifer Holt * author of Empires of Entertainment: Media Industries and the Politics of Deregulation, 1980-1996 *
"Instead of...innovations quelling concerns that TV networks were too often transmitting indecent material that was accessible to children, complaints about indecency skyrocketed soon after the turn of the century. Chris demonstrates that these clashes are significant battles over the role of family, the role of government, and the value of free speech in our lives, arguing that an uncensored media is so imperative to the public good that we can, and must, endure the occasional indecent screen." * Concurring Opinions *
"Recommended." * Choice *
"Mass Communication and media law scholars will find this text most helpful." * Communications Booknotes Quarterly *
"
The Indecent Screen is a unique and necessary contribution to the field of censorship studies, and like broadcast television itself, justifies its place with enthralling detail and a powerful, complex history." * Journal of Digital Media & Policy *
“
The Indecent Screen may represent the literal ‘bookend’ on the history of broadcasting in relation to questions of choice in the market, public service and the airwaves, and decency. It could not be more timely and engaged with present debates.” -- Victoria E. Johnson * author of Heartland TV: Prime Time Television and the Struggle for U.S. Identity *
"
The Indecent Screen is an incisive look at the limits and limitations of contemporary media policy." -- Jennifer Holt * author of Empires of Entertainment: Media Industries and the Politics of Deregulation, 1980-1996 *
"Instead of...innovations quelling concerns that TV networks were too often transmitting indecent material that was accessible to children, complaints about indecency skyrocketed soon after the turn of the century. Chris demonstrates that these clashes are significant battles over the role of family, the role of government, and the value of free speech in our lives, arguing that an uncensored media is so imperative to the public good that we can, and must, endure the occasional indecent screen." * Concurring Opinions *
"Recommended." * Choice *
"Mass Communication and media law scholars will find this text most helpful." * Communications Booknotes Quarterly *
"
The Indecent Screen is a unique and necessary contribution to the field of censorship studies, and like broadcast television itself, justifies its place with enthralling detail and a powerful, complex history." * Journal of Digital Media & Policy *
Table of ContentsContents
Chronology
List of Abbreviations
Introduction: What We Talk About When We Talk About Television and Indecency
1 A Brief History of Indecency in Media in the Twentieth Century
2 Targeting Television in the Twenty-First Century
3 Television: More or Less?
4 Bleeps and Other Obscenities
5 Who’s Afraid of Dick Smart? The Body Politic, Public Access, and the Punitive State
Conclusion: The Future of Indecency, and Why It Matters
Acknowledgments
Notes
Index
