Description

Book Synopsis

A user's guide to operaMatthew Aucoin, the most promising operatic talent in a generation (The New York Times Magazine), describes the creation of his groundbreaking new work, Eurydice, and shares his reflections on the past, present, and future of opera

From its beginning, opera has been an impossible art. Its first practitioners, in seventeenth-century Florence, set themselves the unreachable goal of reproducing the wonders of ancient Greek drama, which no one can be sure was sung in the first place. Opera's greatest artists have striven to fuse multiple art formsmusic, drama, poetry, danceinto a unified synesthetic experience. The composer Matthew Aucoin, a rising star of the opera world, posits that it is this impossibility that gives opera its exceptional power and serves as its lifeblood. The virtuosity required of its performers, the bizarre and often spectacular nature of its stage productions, the creation of a whole world whose basic fabr

The Impossible Art

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    Order before 4pm today for delivery by Tue 30 Jun 2026.

    A Paperback / softback by Matthew Aucoin

    10 in stock


      View other formats and editions of The Impossible Art by Matthew Aucoin

      Publisher: St Martin's Press
      Publication Date: 17/04/2023
      ISBN13: 9781250858818, 978-1250858818
      ISBN10: 125085881X
      Also in:
      Opera

      Description

      Book Synopsis

      A user's guide to operaMatthew Aucoin, the most promising operatic talent in a generation (The New York Times Magazine), describes the creation of his groundbreaking new work, Eurydice, and shares his reflections on the past, present, and future of opera

      From its beginning, opera has been an impossible art. Its first practitioners, in seventeenth-century Florence, set themselves the unreachable goal of reproducing the wonders of ancient Greek drama, which no one can be sure was sung in the first place. Opera's greatest artists have striven to fuse multiple art formsmusic, drama, poetry, danceinto a unified synesthetic experience. The composer Matthew Aucoin, a rising star of the opera world, posits that it is this impossibility that gives opera its exceptional power and serves as its lifeblood. The virtuosity required of its performers, the bizarre and often spectacular nature of its stage productions, the creation of a whole world whose basic fabr

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