Description

Book Synopsis
Black Models and White Myths examines the racial assumptions behind representations of Africans that emphasized the contrast between civilization and savagery and the development of so-called scientific and ethnographic racism. These works often depicted Africans' allegedly natural behavior as a counterpoint to inhibited European conduct.

Trade Review
A fascinating story of the changing image of Africa’s people in Western art. The images are simply extraordinary and the scholarship inspiring. Anyone who cares about Western art or about Africa and her diaspora ought to know these magnificent volumes. -- Kwame Anthony Appiah
In addition to being an indispensable guide to the evolving meanings of racial difference, these dazzling volumes filled with extraordinary images and rich arguments contribute to an alternative history of the Western world. An invaluable gift for both specialists and general readers. -- Paul Gilroy, author of The Black Atlantic: Modernity and Double Consciousness
The Image of the Black in Western Art [is] a truly epic project… The series, scheduled for completion in 2014, is, so far, as eye-opening to view as it is to read and, one volume at a time, could be the answer to gift gifting for several years to come. -- Holland Cotter * New York Times *

The Image of the Black in Western Art Volume IV

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    £71.16

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    RRP £88.95 – you save £17.79 (20%)

    Order before 4pm today for delivery by Sat 18 Jul 2026.

    A Hardback by David Bindman, Henry Louis Gates, Jr., Karen C. C. Dalton

    15 in stock

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      View other formats and editions of The Image of the Black in Western Art Volume IV by David Bindman

      Publisher: Harvard University Press
      Publication Date: 07/05/2012
      ISBN13: 9780674052604, 978-0674052604
      ISBN10: 0674052609

      Description

      Book Synopsis
      Black Models and White Myths examines the racial assumptions behind representations of Africans that emphasized the contrast between civilization and savagery and the development of so-called scientific and ethnographic racism. These works often depicted Africans' allegedly natural behavior as a counterpoint to inhibited European conduct.

      Trade Review
      A fascinating story of the changing image of Africa’s people in Western art. The images are simply extraordinary and the scholarship inspiring. Anyone who cares about Western art or about Africa and her diaspora ought to know these magnificent volumes. -- Kwame Anthony Appiah
      In addition to being an indispensable guide to the evolving meanings of racial difference, these dazzling volumes filled with extraordinary images and rich arguments contribute to an alternative history of the Western world. An invaluable gift for both specialists and general readers. -- Paul Gilroy, author of The Black Atlantic: Modernity and Double Consciousness
      The Image of the Black in Western Art [is] a truly epic project… The series, scheduled for completion in 2014, is, so far, as eye-opening to view as it is to read and, one volume at a time, could be the answer to gift gifting for several years to come. -- Holland Cotter * New York Times *

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