Description

Book Synopsis

Vladimir Nabokov complained about the number of Dostoevsky''s characters sinning their way to Jesus. In truth, Christ is an elusive figure not only in Dostoevsky''s novels, but in Russian literature as a whole. The rise of the historical critical method of biblical criticism in the nineteenth century and the growth of secularism it stimulated made an earnest affirmation of Jesus in literature highly problematic. If they affirmed Jesus too directly, writers paradoxically risked diminishing him, either by deploying faith explanations that no longer persuade in an age of skepticism or by reducing Christ to a mere argument in an ideological dispute. The writers at the heart of this study understood that to reimage Christ for their age, they had to make him known through indirect, even negative ways, lest what they say about him be mistaken for cliché, doctrine, or naïve apologetics. The Christology of Dostoevsky, Leo Tolstoy, Mikhail Bulgakov, and Boris Pasternak is thus apophatic becau

Trade Review

[T]his deeply engaged study is a welcome contribution to the growing corpus of contemporary studies of Christianity in Russia.

* Times Higher Education *

A significant and valuable contribution to scholarship. It will deservedly become standard reading on courses of classical Russian literature across the globe.

* Russian Review *

The analyses of the works by this quartet of venerable Russian writers unfold as a series of paradoxes, whether that of eros (physical love) and agape (spiritual love) or of humanity and divinity, but Givens has many insightful things to say about other Russian writers too. Given the book's Christological theme, interest in this study may spill over the confines of Slavic studies. Solidly researched and lucidly written. Highly recommended.

* Choice *

[I]ntelligent, well-researched, and provocative. All those who are interested in the literary representation of Christ will read with interest and reward Givens's insightful analyses of these major writers and texts.

* Slavic Review *

John Givens approaches a huge topic in an admirably interdisciplinary and focused way.... The results, laid out in accessible and clear prose, will interest readers from religious studies, literature, history, and related fields.

* Slavic and East European Journal *

This most remarkable volume of investigative study is not only incisive and searching in style, but also analytical and synthetic in the matter at hand— the "who" of Christ and the "how" he is portrayed in Russian literature, both in relatively "minor" authors, but, above all, by the four great authors in the subtitle.

* St. Vladimir's Theological Quarterly *

The Image of Christ in Russian Literature

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    A Hardback by John Givens

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      View other formats and editions of The Image of Christ in Russian Literature by John Givens

      Publisher: Cornell University Press
      Publication Date: Publication Date: 29/05/2018
      ISBN13: 9780875807799, 978-0875807799
      ISBN10: 0875807798

      Description

      Book Synopsis

      Vladimir Nabokov complained about the number of Dostoevsky''s characters sinning their way to Jesus. In truth, Christ is an elusive figure not only in Dostoevsky''s novels, but in Russian literature as a whole. The rise of the historical critical method of biblical criticism in the nineteenth century and the growth of secularism it stimulated made an earnest affirmation of Jesus in literature highly problematic. If they affirmed Jesus too directly, writers paradoxically risked diminishing him, either by deploying faith explanations that no longer persuade in an age of skepticism or by reducing Christ to a mere argument in an ideological dispute. The writers at the heart of this study understood that to reimage Christ for their age, they had to make him known through indirect, even negative ways, lest what they say about him be mistaken for cliché, doctrine, or naïve apologetics. The Christology of Dostoevsky, Leo Tolstoy, Mikhail Bulgakov, and Boris Pasternak is thus apophatic becau

      Trade Review

      [T]his deeply engaged study is a welcome contribution to the growing corpus of contemporary studies of Christianity in Russia.

      * Times Higher Education *

      A significant and valuable contribution to scholarship. It will deservedly become standard reading on courses of classical Russian literature across the globe.

      * Russian Review *

      The analyses of the works by this quartet of venerable Russian writers unfold as a series of paradoxes, whether that of eros (physical love) and agape (spiritual love) or of humanity and divinity, but Givens has many insightful things to say about other Russian writers too. Given the book's Christological theme, interest in this study may spill over the confines of Slavic studies. Solidly researched and lucidly written. Highly recommended.

      * Choice *

      [I]ntelligent, well-researched, and provocative. All those who are interested in the literary representation of Christ will read with interest and reward Givens's insightful analyses of these major writers and texts.

      * Slavic Review *

      John Givens approaches a huge topic in an admirably interdisciplinary and focused way.... The results, laid out in accessible and clear prose, will interest readers from religious studies, literature, history, and related fields.

      * Slavic and East European Journal *

      This most remarkable volume of investigative study is not only incisive and searching in style, but also analytical and synthetic in the matter at hand— the "who" of Christ and the "how" he is portrayed in Russian literature, both in relatively "minor" authors, but, above all, by the four great authors in the subtitle.

      * St. Vladimir's Theological Quarterly *

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