Description

Book Synopsis
The Ideology of Competition in School Music explores competition as a structuring force in school music and provides critiques of that system from multiple philosophical and theoretical perspectives. Competition is seen by many music teachers, students, and supporters as natural and inevitable--a taken-for-granted aspect of music education or an irresistible force, rather than a choice. This book uncovers this ideological nature of competition and examines its effect on student learning, teacher agency, and equity within music education. It considers ways in which music educators might reconsider the role of competition in their teaching practice and offers alternative frameworks for organizing school music.In this book, author Sean Robert Powell views competition as a microcosm of the wider neoliberal capitalist society, in which subjects are interpolated in an antagonistic competitive field as market logic dictates a system of accountability, reduction, and audit culture. Music teach

Table of Contents
Chapter 1. Introduction Chapter 2. It's Easier to Imagine the End of Music Education Than the End of Competition Chapter 3. The One-Dimensional Music Program Chapter 4. Cynicism Chapter 5. The Lost Trophy Chapter 6. Contingency | Agency | Act Chapter 7. Solidarity Bibliography Index

The Ideology of Competition in School Music

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A Paperback / softback by Sean Robert Powell


    View other formats and editions of The Ideology of Competition in School Music by Sean Robert Powell

    Publisher: Oxford University Press Inc
    Publication Date: 26/05/2023
    ISBN13: 9780197570845, 978-0197570845
    ISBN10: 0197570844

    Description

    Book Synopsis
    The Ideology of Competition in School Music explores competition as a structuring force in school music and provides critiques of that system from multiple philosophical and theoretical perspectives. Competition is seen by many music teachers, students, and supporters as natural and inevitable--a taken-for-granted aspect of music education or an irresistible force, rather than a choice. This book uncovers this ideological nature of competition and examines its effect on student learning, teacher agency, and equity within music education. It considers ways in which music educators might reconsider the role of competition in their teaching practice and offers alternative frameworks for organizing school music.In this book, author Sean Robert Powell views competition as a microcosm of the wider neoliberal capitalist society, in which subjects are interpolated in an antagonistic competitive field as market logic dictates a system of accountability, reduction, and audit culture. Music teach

    Table of Contents
    Chapter 1. Introduction Chapter 2. It's Easier to Imagine the End of Music Education Than the End of Competition Chapter 3. The One-Dimensional Music Program Chapter 4. Cynicism Chapter 5. The Lost Trophy Chapter 6. Contingency | Agency | Act Chapter 7. Solidarity Bibliography Index

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