Description

Book Synopsis
Beauty is a central concept in the Italian cultural imagination throughout its history and in virtually all its manifestations. It particularly permeates the domains that have governed the construction of Italian identity: literature and language. The Idea of Beauty in Italian Literature and Language assesses this long tradition in a series of essays covering a wide chronological and thematic range, while crossing from historical linguistics to literary and cultural studies. It offers elements for reflection on cross-disciplinary approaches in the humanities, and demonstrates the power of beauty as a fundamental category beyond aesthetics.

Table of Contents
List of Figures Introduction  Harald Hendrix, Claudio Di Felice, and Philiep Bossier  1 Forms and Variations of Lemmata Indicating “Beauty” in Literary Italian and the Common Language  Rosario Coluccia  2 “Bellezze ed adornezze e piacimento”: The Concept of Beauty in the Sicilian School  Francesca De Blasi 3 Beauty as a Forma Mentis: Francis of Assisi  Brigitte Poitrenaud-Lamesi 4 From Earthly Venus to Heavenly Venus: On the Evolution of the Concept of Beauty in Girolamo Benivieni  Sergio Di Benedetto 5 The “True Form” of Beauty: Poetry and Portraits from Petrarch to the Sixteenth Century  Veronica Pesce 6 “Love is Naught but a Certain Desire to Enjoy Beauty”: Castiglione and Raffaello*  Pasquale Sabbatino 7 The Principle of Beauty in the Literary Criticism of the 16th Century  Antonio Sorella 8 Beauty at the Limit  Silvia Fabrizio-Costa 9 Words for Beauty: Giuseppe Parini between Ideal Cities and the Decadence of the World  Marcello Ciccuto 10 Amorose e di galanteria: Considerations about the Language of Love, Beauty and Desire in some Unpublished Poems by Giulio Bajamonti  Monica De Rosa 11 “The Profound Beauty is Greatness”: Itinerary in Giovanni Boine’s Aesthetics  Enrico Riccardo Orlando 12 The Origins of Beauty in Leopardi’s Zibaldone  Stefano Bragato 13 History of a Modest Beauty: Models of Woman’s Aesthetics from Fermo e Lucia to I promessi sposi  Gavino Piga 14 The “Second Beauty”: Ideas of Politeness and Beauty in Italian Books of Manners  Giovanna Alfonzetti 15 Fosca and her Sisters: Origins and Hypostases of the “Medusean Beauty” in the Narrative of the Scapigliatura  Francesco Bonelli 16 Reconsidering Fin de Siècle Aestheticism: the Case of Gabriele D’Annunzio  Filippo Fonio 17 Paradise Saved and Lost of Fin de Siècle Aesthetics: Matelda and Mariana in the Works of Giovanni Pascoli  Francesca Irene Sensini 18 Eugenio Montale: for the “Incredible, Wonderful Face” of Clizia, between Photographs, Letters, the Palio and other Verses  Epifanio Ajello 19 P.V. Tondelli and the Cannibals’ Generation in Search of the Lost Beauty  Agata Pryciak

The Idea of Beauty in Italian Literature and Language: Il buono amore è di bellezza disio

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    A Hardback by Claudio Di Felice, Harald Hendrix, Philiep Bossier

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      Publisher: Brill
      Publication Date: 21/03/2019
      ISBN13: 9789004388949, 978-9004388949
      ISBN10:

      Description

      Book Synopsis
      Beauty is a central concept in the Italian cultural imagination throughout its history and in virtually all its manifestations. It particularly permeates the domains that have governed the construction of Italian identity: literature and language. The Idea of Beauty in Italian Literature and Language assesses this long tradition in a series of essays covering a wide chronological and thematic range, while crossing from historical linguistics to literary and cultural studies. It offers elements for reflection on cross-disciplinary approaches in the humanities, and demonstrates the power of beauty as a fundamental category beyond aesthetics.

      Table of Contents
      List of Figures Introduction  Harald Hendrix, Claudio Di Felice, and Philiep Bossier  1 Forms and Variations of Lemmata Indicating “Beauty” in Literary Italian and the Common Language  Rosario Coluccia  2 “Bellezze ed adornezze e piacimento”: The Concept of Beauty in the Sicilian School  Francesca De Blasi 3 Beauty as a Forma Mentis: Francis of Assisi  Brigitte Poitrenaud-Lamesi 4 From Earthly Venus to Heavenly Venus: On the Evolution of the Concept of Beauty in Girolamo Benivieni  Sergio Di Benedetto 5 The “True Form” of Beauty: Poetry and Portraits from Petrarch to the Sixteenth Century  Veronica Pesce 6 “Love is Naught but a Certain Desire to Enjoy Beauty”: Castiglione and Raffaello*  Pasquale Sabbatino 7 The Principle of Beauty in the Literary Criticism of the 16th Century  Antonio Sorella 8 Beauty at the Limit  Silvia Fabrizio-Costa 9 Words for Beauty: Giuseppe Parini between Ideal Cities and the Decadence of the World  Marcello Ciccuto 10 Amorose e di galanteria: Considerations about the Language of Love, Beauty and Desire in some Unpublished Poems by Giulio Bajamonti  Monica De Rosa 11 “The Profound Beauty is Greatness”: Itinerary in Giovanni Boine’s Aesthetics  Enrico Riccardo Orlando 12 The Origins of Beauty in Leopardi’s Zibaldone  Stefano Bragato 13 History of a Modest Beauty: Models of Woman’s Aesthetics from Fermo e Lucia to I promessi sposi  Gavino Piga 14 The “Second Beauty”: Ideas of Politeness and Beauty in Italian Books of Manners  Giovanna Alfonzetti 15 Fosca and her Sisters: Origins and Hypostases of the “Medusean Beauty” in the Narrative of the Scapigliatura  Francesco Bonelli 16 Reconsidering Fin de Siècle Aestheticism: the Case of Gabriele D’Annunzio  Filippo Fonio 17 Paradise Saved and Lost of Fin de Siècle Aesthetics: Matelda and Mariana in the Works of Giovanni Pascoli  Francesca Irene Sensini 18 Eugenio Montale: for the “Incredible, Wonderful Face” of Clizia, between Photographs, Letters, the Palio and other Verses  Epifanio Ajello 19 P.V. Tondelli and the Cannibals’ Generation in Search of the Lost Beauty  Agata Pryciak

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