Description

Book Synopsis

“Literature of the Holocaust” courses, whether taught in high schools or at universities, necessarily cover texts from a broad range of international contexts. Instructors are required, regardless of their own disciplinary training, to become comparatists and discuss all works with equal expertise. This books offers analyses of the ways in which representations of the Holocaust—whether in text, film, or material culture—are shaped by national context, providing a valuable pedagogical source in terms of both content and methodology. As memory yields to post-memory, nation of origin plays a larger role in each re-telling, and the chapters in this book explore this notion covering well-known texts like Night (Hungary), Survival in Auschwitz (Italy), MAUS (United States), This Way to the Gas (Poland), and The Reader (Germany), while also introducing lesser-known representations from countries like Argentina or Australia.



Table of Contents

Introduction

Chapter 1: Selling the Holocaust in 21st Century France

Hilene Flanzbaum, Butler University

Chapter 2: Life is Beautiful, or Not: The Myth of the Good Italian

Shira Klein, Chapman University

Chapter 3: Not my Holocaust: MAUS and Memory in the Polish Classroom

Holli Levitsky, Loyola Marymount University

Chapter 4: Germans, Migration and Holocaust Memory in Contemporary Literature

Agnes Mueller, University of South Carolina

Chapter 5: The Burden of the Third Generation in Germany: Nora Krug’s Belonging: A German Reckons with History and Home

Victoria Aarons, Trinity University

Chapter 6: An Impossible Homecoming: Ruth Kluger’s Austria

Sarah Painitz, Butler University

Chapter 7: Fractures and Refraction in Argentina: Prosthetic Memory and Edgardo Cozarinsky’s Lejos de donde

Amy Kaminsky, University of Minnesota

Chapter 8: Anglicization and the Holocaust in Judith Kerr and Eva Tucker’s Fiction

Joshua Lander, University of Glasgow

Chapter 9: Collective Disengagement: Canada’s National Holocaust Memorial

Lizy Mostowski, University of Illinois at Urbana-Champaign

Chapter 10: Forgetting and Remembering: The Holocaust in Australian Fiction

Ira Nadel, University of British Columbia

Chapter 11: We Are the New Children: Shoah and Israeli Childhood in Nava Semel’s And the RatLaughed

Ranen Omer-Sherman, University of Louisville

Chapter 12: Representing the Holocaust and Jewishness in Contemporary Television: The Man inthe High Castle,Hunters and Juda

Marat Grinberg, Reed College

Index

About the Contributors

The Holocaust across Borders: Trauma, Atrocity,

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    A Hardback by Hilene S. Flanzbaum, Hilene S. Flanzbaum, Shira Klein

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      Publisher: Lexington Books
      Publication Date: 29/06/2021
      ISBN13: 9781793612052, 978-1793612052
      ISBN10: 1793612056

      Description

      Book Synopsis

      “Literature of the Holocaust” courses, whether taught in high schools or at universities, necessarily cover texts from a broad range of international contexts. Instructors are required, regardless of their own disciplinary training, to become comparatists and discuss all works with equal expertise. This books offers analyses of the ways in which representations of the Holocaust—whether in text, film, or material culture—are shaped by national context, providing a valuable pedagogical source in terms of both content and methodology. As memory yields to post-memory, nation of origin plays a larger role in each re-telling, and the chapters in this book explore this notion covering well-known texts like Night (Hungary), Survival in Auschwitz (Italy), MAUS (United States), This Way to the Gas (Poland), and The Reader (Germany), while also introducing lesser-known representations from countries like Argentina or Australia.



      Table of Contents

      Introduction

      Chapter 1: Selling the Holocaust in 21st Century France

      Hilene Flanzbaum, Butler University

      Chapter 2: Life is Beautiful, or Not: The Myth of the Good Italian

      Shira Klein, Chapman University

      Chapter 3: Not my Holocaust: MAUS and Memory in the Polish Classroom

      Holli Levitsky, Loyola Marymount University

      Chapter 4: Germans, Migration and Holocaust Memory in Contemporary Literature

      Agnes Mueller, University of South Carolina

      Chapter 5: The Burden of the Third Generation in Germany: Nora Krug’s Belonging: A German Reckons with History and Home

      Victoria Aarons, Trinity University

      Chapter 6: An Impossible Homecoming: Ruth Kluger’s Austria

      Sarah Painitz, Butler University

      Chapter 7: Fractures and Refraction in Argentina: Prosthetic Memory and Edgardo Cozarinsky’s Lejos de donde

      Amy Kaminsky, University of Minnesota

      Chapter 8: Anglicization and the Holocaust in Judith Kerr and Eva Tucker’s Fiction

      Joshua Lander, University of Glasgow

      Chapter 9: Collective Disengagement: Canada’s National Holocaust Memorial

      Lizy Mostowski, University of Illinois at Urbana-Champaign

      Chapter 10: Forgetting and Remembering: The Holocaust in Australian Fiction

      Ira Nadel, University of British Columbia

      Chapter 11: We Are the New Children: Shoah and Israeli Childhood in Nava Semel’s And the RatLaughed

      Ranen Omer-Sherman, University of Louisville

      Chapter 12: Representing the Holocaust and Jewishness in Contemporary Television: The Man inthe High Castle,Hunters and Juda

      Marat Grinberg, Reed College

      Index

      About the Contributors

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